“Sod the wine, I want to suck on the writing. This man White is an instinctive writer, bloody rare to find one who actually pulls it off, as in still gets a meaning across with concision. Sharp arbitrage of speed and risk, closest thing I can think of to Cicero’s ‘motus continuum animi.’

Probably takes a drink or two to connect like that: he literally paints his senses on the page.”


DBC Pierre (Vernon God Little, Ludmila’s Broken English, Lights Out In Wonderland ... Winner: Booker prize; Whitbread prize; Bollinger Wodehouse Everyman prize; James Joyce Award from the Literary & Historical Society of University College Dublin)


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Showing posts with label Murray. Show all posts
Showing posts with label Murray. Show all posts

10 October 2008

Take Some Essence Of Oak Chips, Add Weeds And Vanilla ...

by PHILIP WHITE - This first appeared in The Independent Weekly in May 2008


“Chardonnay will be the vanilla of the Australian wine industry”, the late Len Evans, OBE, preached for thirty years.


Who? This feisty ex-Mt Isa Mines storeman eventually ran Rothbury Estate, owned Evans Family Wines, chaired Petaluma, controlled the national wine show ring, became a highly influential mentor to hundreds of adoring winemakers and critics, et al. Like Sir John Falstaff, Evans smudged the boundary between ebullient and bumptious, and, after port, was borborygmic.


In Champagne, chardonnay’s used for champagne; in Chablis it makes lean, unoaked chablis, and in Burgundy, it’s used to make creamy, extravagantly oaked white burgundy. Like chardonnay, all these words sound nice, and while it was all fabulously expensive, fabulist Len loved shunning expense at the table.


But it snows in those places. Apart from bits of Tassie, like the Upper Tamar, and tiny slices of the mainland - high Orange or Tumbarumba - we could never grow chardonnay vaguely like the great French vignobles. So why chardonnay? It doesn’t snow along the Murray. Then, Len never drank much Murray.


Locally, Romney Park proves that on one tiny ridge near Hahndorf, you can make delicious chardonnay, as Ashton Hills does near Summertown. Penfolds makes mighty stuff from other Hills vineyards. Mountadam’s returning from a ten year slump. There’s Evans’ ex-pet, Lion Nathan’s Petaluma, with its alluring bunch of Riverland doradillo on the front label. After that I’m scratching.


Scarce cool country is not the only problem with Australian chardonnay. From the start, back labels invariably claimed this new variety was lovingly fermented and matured in new French oak, oak being the only thing available to legally impart vanillin. But as I wrote in 1991, when Len’s sermon was reaching crescendo, France typically harvested enough oak to make only about 250,000 new barrels – about 800,000 short of the amount of Burgundy-sized barrels needed to contain the juice of our 20,000 freshly-planted hectares of chardonnay. If indeed they eventually grew a berry. Forget barrels for the reds, or for the rest of the world. Or for the French, for that matter.


Luckily, Len had an attitude to oak that didn’t always require barrels. At a tasting at Rothbury in May 1983, I sidled out for a smoke when a courier arrived with four large plastic drums of liquid. Rather than interrupt my host, who was inside preaching, I signed for it, then read the chit, which said “Essence Of Oak Chips”. That’s cheaper than chips!


Evans’ acolytes and disciples always rather contentiously insisted that the customer demand for chardonnay was insatiable. Only a few years back blokes like Phil Laffer and Stephen Millar, bosses of Pernod-Ricard/Orlando/Jacob’s Creek and Constellation’s BRL-Hardy, were urging more plantings.


As these come into production, we now have 32,151 hectares, mostly in the wrong places. We might as well irrigate weeds. Constellation’s retreating from the River, and Fosters and Pernod Ricard have just told growers there that demand for the vanilla of Australia is plummeting. So the punter is not a mug.


Chardonnay’s not dead: Penfolds paid $5000 a tonne this year for cool district grapes for its top example, the Yattarna, and Chablis and Burgundy sales are soaring. Champagne’s so popular they’ve just made the district bigger. But while their new price for River chardonnay, $300 a tonne, might be rather fortuitous for the transnational winemakers, it won’t cover the grower’s costs.


One of the world’s oldest wine merchants, Berry Brothers and Rudd, last week released a report suggesting the Murray-Darling will soon be too hot for fine wine production, and - surprise, surprise - that the future lies in expensive luxuries from cool places like Tassie. This was timed to lob explosively in the middle of the London Wine Trade Fair.


Even more practically destructive was the CSIRO’s announcement that our own Rudd’s budgetry idiocy will close the vital Murray Valley viticulture research establishment, just when Stephen Strachan, boss of the Winemakers’ Federation, was busy reassuring everyone that “the industry’s doing a lot of research around climate change”.


The poor old River couldn’t take deadlier hits below the waterline. Alley juice for our bladder packs is already coming from third world vineyards where wages are miniscule and environmental controls non-existent; now our bottom-end bottles are threatened.


As for Berry Brothers and Rudd’s forecast that China will be the world’s major wine supplier in fifty years? Anyone who’s believed my musings since Remi Martin helped China plant its Dynasty vineyard - in a place where it snows - way back when Len began his vanilla sermon, would have to agree that the real number’s now about ten years.


I don’t gloat over the agonies of the gullible and unfortunate, but it’s becoming increasingly tempting to say “I told you so”. If only the Chinese had planted chardonnay and oak, Australia could have avoided much terrible grief. And saved quite a lot of water.

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25 August 2008

Wine and the War On Drugs

by PHILIP WHITE - This was first published in The Advertiser in 2005


As paranoid chatter about Australia’s two-plus billion litres of unsold wine rises to delirium, and new experts appear daily to have their two bob’s worth in the media, maybe it’s time we began a conversation the wine business doesn’t particularly want us to have.


The industry itself seems dumbstruck by this stupid, utterly predictable situation. All their baying voices that talked it up are suddenly dumb. Those of us who were shunned for our bleats of warning over recent years could be forgiven for now feeling smug. But I feel sick. Sick at the inexcusable extravagant waste in field, stream, and home.


Wine hasn’t been mentioned yet in the War on Drugs, but maybe it’s time we sat back as a community and had a hard think about the total amount of recreational drugs we should collectively ingest each year. This must include alcohol. Learn to manage drug consumption as a whole. Get honest. Admit the war is lost. Start again.


Instead of following this sickening downward spiral toward cheaper, inferior, stronger, more dangerous wines, we should now, more than ever before, consider the nature and end use of most of the wine made in Australia.


When the Vine Pull words are uttered, people think of cute little ivy-draped cellars full of lovely old shiraz, pioneer couple weeping out the back, like a McCubbin tryptich. In reality, most of our wine is ruthlessly, skillfully grown and manufactured to compete at the bottom of the market, where profit evaporates. Broadacre, monocultural, water-wasting grapeyards. Sugar quarries for industrial refineries.


Much of the trouble with the voluble Riverland growers stems from the hyperactive response to the 2025 viticulture plan of the Winemakers Federation. This fairly conservative 1995 initiative was supposed to guarantee sufficient grapes to fuel the next thirty years of constant growth. But it included no pressure valve or review mechanism to measure new plantings or wine in stock, and the full quota was reached within just a few years. There is still no national vineyard or stock register.


There’s been so much planting in what they rather stupidly call “the cool regions”- by which they mean everywhere but the River and Griffith - that the big buyers are using more of that fruit once its price falls enough. Cool is better than hot.


Cut to Nepenthe boss James Tweddell, at his promotional dinner in his Hahndorf Vineyard last year. When I commented on the magnificent triffid aggro of his vines, he proudly pronounced two telling words. Jacob’s Creek. I could hear a big ouch up the River.


So, apart from a few dozen exceptional cheap brands, what exactly do these hot areas produce? Are they alcoholic commodities that could be better made from other sugar from other sources at lower prices? If, as a society, rather than an economy, we decide that we really do need all this alcohol, for us or for export, should it necessarily involve grapes?


What if the sugar needed for the production of all this alcohol could be more cheaply grown, with less abuse of environment and water resources, somewhere else? On the big, complete picture, could Queensland sugar cane replace most of our contentious grapes? Or palm sugar, on the Ord? Should precious Adelaide Hills land – our lushest food garden – be used to make barely profitable gourmet drug refreshments, for export to markets that don’t give a fig for its source, but buy purely on price? They could be drinking Andes Ridge or Amazon Creek tomorrow.


The incredible popularity of alco-pops stems partly from their lower strength and convenience, but largely from their wide range of flavours. One fridge offers a rainbow of whisky, gin, vodka, ouzo, brandy, bourbon and coffee and cream liqueurs pre-mixed with lemonade, squash, dry ginger, neutral beer, cola and tonic. Small bottles. Screw caps. Lower alcohol.


Compare that lolly box with the sea of half-hearted wine currently made in Australia. White. Red. Sweet. Dry. Wooded. Not wooded. Too alcoholic. You have be a tripper, or an uncomfortable nit-picking Virgo like your correspondent, to spot a difference in any of it outside of those few dull, endlessly repetitive parameters.


Different sugars can crop almost continuously in the tropics, meaning the manufacture could be spread more efficiently over the year, doing away with much of this vintage panic and the sickening lurches of perfectly natural vintage variation. Leave that difficult bit to the committed specialist artisans who make the wine we’d all prefer to drink.


Give the River a break. Distil a neutral alcohol, add antioxidants, fructose, water and the minerals and vitamins essential for keeping alcoholics alive, fruit it up, fizz it, screw cap it in small bottles, and sell it priced according to its alcoholic strength, with a hearty slice of the excise dedicated to the restoration of the health of the locals and their environment.


Research even healthier ways of chilling out or getting smashed. Maybe save even more resources and replace the alcohol with a safer drug that triggers less aggro; I know many mothers, fathers, police and health workers who’d suggest that was music to their ears. And some who won’t.


The Wellington evaporation pan

by PHILIP WHITE - This was published in The Independent Weekly in April 2007


There were grim faces around the table at Langhorne Creek the other night. Mike Farmilo, Nick Stock and your writer had just spent a day nudging the snifters at the annual Showcase Judging, where the six best local wines are chosen for inclusion in The Langhorne Creek Showcase Selection.


It’s not called a wine show, and no trophies or medals are awarded, but it’s still judged pretty much like a standard wine show, with three judges and an associate, tasting blind and averaging their scores. The rankings are still graded from no award (below 15.5 points out of 20) to bronze (15.5 – 16.9), silver (17 – 18.4), and gold (18.5 – 20), and we chose a Champion Wine of the Showcase.


The sombre mood at that dinner table had little to do with the quality of the delicious selections we made. Uh-huh. This was about water. Drought. The New Heat. Langhorne Creek was the first Australian wine district to be told its irrigation water allocation is now zero. And if Premier Rann’s huge evaporation pan goes ahead at Wellington, their allocation could well be zero for some years to come.


Unless, of course, there’s huge rain up the Bremer Valley, from Salem to Harrogate, and the traditional Bremer flood gushes through, watering the old eucalypty mudflat vineyards closest to the River. These floods submerge whole vineyards, and rarely come at the best time, but might save sufficient vineyards for the district to survive, as it did before modern irrigation. Although not even this primitive system is perfect: the upstream vignerons always take as much water as they like, and decide whether to let anyone downstream have any.


Enough will never be enough, of course. Larncrk - as the frogs and local humans pronounce it - has become a very big district. In 1991, there were 471 hectares of those traditional floodplain vineyards. Their limit was determined by the extent of the flooding, as the aquifer which they had used for supplementary irrigation was cactus: finally too salty for vines.


So Premier Dean Brown arranged new irrigation permits to allow huge-scale pumping from Lake Alexandrina for new vineyards well away from that original flooding mudflat, with its distinctive minty eucalyptols and amazing hoard of Jimmy Watson and Montgomery Trophies, most of which sat on John Glaetzer’s desk at Wolf Blass.


So by mid 1997, there were about 2,500 hectares, most planted by outsiders and newcomers in untried soil away from the Bremer. Key locals thought that might double again in the five years to 2002, to around 5,000 hectares. But in two years there were already 4,317 hectares. At the end of the 2006 vintage, the figure was about 5,800 hectares bearing, with another 332 hectares yet to bear a berry.


One reliable measure of the feverish gold rush mentality which drove this ridiculous, and now obviously unsustainable growth, was a press release from Orlando, boasting that its new planting involved 200,000 trellis posts, 1,000 kilometres of drip line, and 50,000 kilometres of wire.


Larncrk was becoming a kind of Coonawarra Lite: cheaper coolish area fruit grown much closer to the big refineries of the Barossa and McLaren Vale. Fruit whose source would rarely be acknowledged.


In one daring hit, Peter Pargeter, of Vinescape Management Services, planted 320 hectares for the Guild Pharmacists’ superannuation fund, on completely unproven, in fact dubious, samphire country, that grew its own salt lake as quickly as it grew vines.


So suddenly there’s no water other than a little saved up here and there, and the possibility that heavy rains might send another flood or two down the Bremer. That will, of course, flood only those original 471 hectares, and a few newies that have squeezed in on the moody mudflats. Unless five or six years of good rain fills the Murray Basin again, and the Lake begins to flow, all those monster upland prospects will gradually die of thirst. Or salt.


While the aquifer will never cope with another walloping like it had, and will never feed all the new vineyards, it is gradually healing under the new controls. So the winemakers’ logo, a traditional Aussie windmill, may eventually make sense again The Langhorne Creek Showcase Selection will be announced on 4th May and be available for tasting with the other 99 entrants for $10 per head at the Langhorne Creek Memorial Hall on the afternoon of Saturday 5th May.


Water as gastronomy

by PHILIP WHITE - This was published in The Independent Weekly in 2007


In three decades of writing about alcohol, I’ve drawn quite some flak from editors who don’t believe my theory that water is a fairly important gastronomic item. They prefer a drinks column to blithely praise lots of “product” around which the spacefloggers can sell ads. Some of these spats have been terminal.


There must come a time when water is seen to be more important than wine, and I’m not talking about rehydrating diddums after a night on the turps. I’m talking about the seven Richter hangover that’ll hit this whole state when the binge ends as the water runs out. If the Premier is to be believed, we may have to dissolve our Berocca in tequila.


To avoid this, he suggests building a weir at Wellington, where the country is very flat, and instead of bedrock, there’s about thirty metres of typical estuarine mud. Once Mr. Rann has found something to nail the dam thing to, it’ll be like our very own Cobby Station, but without the bad image of cotton or rice.


Keep it simple and true to purpose, and get that salty old river evaporating more efficiently before it trickles into the Lake.


A few years back I did a trip of the length of the Murray, by car, boat and plane, and recall vividly the site of the proposed weir. They’d let a dribble of water down the Darling, so the Murray was almost the colour of cream brick. It oozed into the green of Lake Alexandrina like a sluggish twist of pus. This new dam would further concentrate that terrible tincture, and then we’d drink it. Nice.


The winemakers of Langhorne Creek must love the Premier’s proposal. Delighted at the prospect of selling some grapes this year, into the hole in the premium bulk market caused by frost in the South-East, they suddenly hear government’s thinking of letting their Lake go briny. Er. It’s sometimes too salty for viticulture now; turn the river off and she’s cactus. To give the Lakesters their due, they’d almost got their little aquifer working again after they used it all up on irrigation, but it’ll never supply enough water to feed the huge industrial grapefarms like the monster Pernod-Ricard’s trying to sell. These need fresh Lake water.


We use up to 1000 litres of water, sometimes more, to make one litre of wine. This doesn’t include the water that evaporates from irrigation channels or overhead sprinklers. Then we sell that wine for the price of bottled water, and call it an export triumph. Doesn’t make sense. All overhead irrigation should be illegal, but it’s still rife in Murray grapeyards. Government should be buying that water and putting it back in the river. Do that, and there might even be enough to fill Mr. Rann’s dam.


It’s time we admitted that this dry old chip of a country doesn’t tolerate us moving water to anywhere it wouldn’t normally go. Every time we move water from one place to another, we make a mess at both ends. Every time we try to stop water going to where it usually goes, we make a mess of where we keep it, and damage the place it would have gone.


Until we get smart enough to solve these matters, we’ll have to learn to leave the waters to flow as they like. And if we want to grow something that requires a certain amount of water, we’ll have to find a place where that amount of rain falls at the right time of the year, and plant it there.


As for the unnecessary commodity we call wine, we should simply learn to make it with less. For many consecutive years, the volume of wine exported annually has increased while its price decreases. Turn those sprinklers off, get the yields down, watch the quality grow, adjust the price accordingly, and presto! You’re no longer competing to please Tesco, Woolies and Coles at such rude discounts there’s no profit. We might even regain our old reputation for high quality and innovation.


And water as a drink? Get yourself under the part of the sky from where it falls, and catch some.

The less water we need

by PHILIP WHITE - This was published in The Independent Weekly in 2007


While we’re talking water, I was surprised to read Cara Jenkin’s piece in The Advertiser linking Riverland grape irrigation to salt. There was the clever irrigation R&D man, Dr. Tapas Biswas, and Fosters viticulturer, Gioia Small, promoting a salt management regime that has cut annual irrigation requirements from 10.4 megalitres per hectare to 4 megs. One meg used to be called one million litres. Salt is still NaCl, which is unleashed by irrigation.


Let’s get this in perspective. Baz White, - Gomersal Wines, Barossa - was on the phone immediately. “Jeez, Whitey”, he said. “The River blokes got it down to four megs!” Since the day he planted in December 2001 Baz has used 0.65 megs per hectare per year. He has twenty hectares all up, uses bugger all poison, and has a list of some very famous Barossa names keen to get his fruit. In sharp contrast, I recall some whingeing from upriver about the lack of buyers of any sort.


Heat makes exotic plants very thirsty. Rice, cotton, oranges, vines – you need oceans of water in the desert. The Barossa’s not cool, but it’s a lot cooler than the River.


“Four to six megs per hectare would be about right for responsible commercial use up here in a year like this” says Riverland viticulturer and lecturer Darryl Lang, who made a brilliant organic Second Dune Ruby Cabernet a few years back, and hasn’t irrigated at all this year.


“It’s amazing how my vines stay alive”, he says. “But I wouldn’t suggest to anybody that they should follow my example. If I was serious about making commercial wine in 2008 I’d be watering right now. But in a drought like this the evaporation loss is awful. Even those growers who have decided to ‘mothball’ their vines and grow no crop this year would be using four or five megs I reckon.”


Michael Waugh, who’s just added another perfect 100 Parker points to his phenomenal tally at Greenock Creek, in the Barossa, uses about the same amount of everything – that’s bugger all - as Baz White. “Some of my vineyards never get any irrigation”, he said. “But if I do buy them a drink, it’s about 0.6 of a meg per hectare - thirty litres per vine. There’s no point in letting them die of thirst, but most of my watering is mainly a vehicle to get some nutrient down to their roots.”


Next day I tasted Paxton barrels. Paxtons manage 300 ha of vines including their own, and have begun replacing the old chemical spray and big irrigation with Rudolph Steiner’s biodynamic methods. The first wine from their 20ha Quongdong Farm vineyard near McLaren Vale, after just one year of the new management regime, was probably the most vividly flavoured, wholesome ’06 SA red I’ve seen. The bio stuff jumps at you. It’s like a new variety.


“We’re limited to 1.1 megs per hectare if we’re using aquifer water on conventional vineyards”, says David Paxton. “But sometimes we use much less.”


“And you know Whitey”, says Paxton viticulturer Toby Bekkers, “the more we build up the humus in our soil with the biodynamic preparations and mulches, the less water we need”. There sure wasn’t too much water in that Quongdong Farm shiraz. I’ll warn you when that one’s imminent. It’ll be famous.


Earlier, I’d stood with Andrew Mitchell in his House Block biodynamic riesling vineyard in the Skillogalee Valley, Clare. There was misty rain, and you could smell the gamy reek of the roos we’d disturbed. The wine is brilliant and vibrant, with the sort of banana and lemon pith aromas I’d usually associate with expensive German rizza. The soil didn’t smell of banana, of course, but for a weathered old mix of dolomite, magnesite, sandstone and quartzite, it certainly had plenty of life buzzing in there since it’s been getting its doseage of Steiner’s moonjuice. Andrew has two enormous mulch heaps moulderin’ away on the headlands, ready to add to that veritable plum pudding once they’ve decayed enough.


“Logic says that the more biomass we can get into this ground, the less water we’ll need”, he said. “We try to keep pretty calm about it, but it’s really bloody exciting!”

Woe, horror and rage

by PHILIP WHITE - This was published in The Independent Weekly in November 2007


Where once ran water, only woe, horror and rage now flood down the Murray. Suddenly, furious blockers picket our parliament like only the violent French would. Desperate to recall what it was like to manage a winery in hard times, the transnational grape refineries struggle to juggle their diminishing returns. Big family wineries are forced to pay their suppliers on delivery. Overhead, sprinklers squirt mindlessly.


“The wine industry will never be the same”, Peter Dawson, Hardy’s senior vice-president of operations, murmured at a party at Paxton’s in March.


It’s a lot worse now. Last week Dawson announced his company’s retreat from its refinery on the River in Victoria, to regroup this side of the border at its Berri Estates, where fifty new jobs might be created.


Never pleased with my thirty years of preaching that Murray Valley viticulture could not be sustained as it was, and that smart wineries should be concentrating their efforts on making better wines for more profit with less environmental and social destruction, Dawson finally announced that his company needed to shift its focus to more profitable wines. But he said “higher-priced”, not “higher quality”.


“The wine industry is not globally competitive at lower price points”, he said. “We should be striving to get all of our Australian wine into higher-priced bottled products.”


Hardy’s have always been prickly at my Banrock Station scepticism. While they market their award-winning property as an environmental triumph, one might ask whether it’s a broadacre big-cropping industrial grapeyard where slightly salty River water is pumped onto an ancient dried-out seabed full of much stronger salt. The little bags of sugar that grow are processed and refined to become what I imagine the senior vice-president of operations would call lower-priced softpack products, until they put it all in bottles.


Use some profit to take the sheep off an old station, and reeds and redgums return to the riverbank. An environmental triumph. Let a swamp develop, call it a wetlands. Another triumph. Then empty the wetlands to put more water in the River, when it gets really crook. Another triumph. 100,000 admiring visitors a year walk the trails, admiring the rejuvenated scrub and riverfront, but the reality of the vineyard is never made quite so clear.


Last week also saw the release of another of the endless scientific reports on the River. This finally put a dollar value on the natural filtration effected by one hectare of working wetland – a higher value than one hectare of productive irrigated land. That is a triumph.


The River has always washed itself. But because there’s been so much poison to be filtered and broken down by the reeds and the weeds and sedge, wetlands which are now being deliberately dried out may never recover. While the dirty water kept them alive, the concentrates now drying in their crusty beds may be too harsh for regrowth.


The whisky bottle was beginning its conciliatory wink when, miraculously, a bottle of O’Donohoe’s Find Tom’s Drop Mourvèdre Shiraz arrived. On its label is an 1896 photograph of the O’Donohoe Brothers’ Hillen Grove Condenser. Michael O’Donohoe’s grandfather, Tom, and his six brothers lobbed on the Kalgoorlie goldfields from County Cork. Traditionally, Irishmen knew how to turn cloudy weak ale into clear powerful poteen in a copper pot still. But O’Donohoes built a desalination business by distilling salty bore water. During the day, anyway. Scouring their photograph, I suspect tradition may have returned at night. Nice marketing.


The vineyard responsible for Tom’s Drop is an environmental triumph. Not only do they need less water, but Michael and Jan are probably cleaning river water by running it through their organic vine garden. “The vineyard is part of a polyculture of trees, vines, plants and creatures” their back label explains. “We endeavour to mimic nature, maintain diversity, and focus on the relationship between soils, plants, and animals.” The living soil below their organic mulch has not been disturbed by machinery for 26 years. They won their Level A Organic certificate in 1990. The crop is always below two tonnes per acre.


And where is this? At Berri. So there’s three examples of nice marketing. Which has the truest ring?


One acre of dirt can never produce more than one acre of flavour. You can squirt on plenty of water and spread your acre of flavour over twenty tonnes of sultana, or chardonnay, seasoned with pesticide, fungicide, and herbicide. Or kill the hose and the poisons, get that mulch going, and squeeze your acre of flavour into a tonne or two of living essence like Tom’s Drop. And guess what happens? You get better wine. For which people are prepared to pay more, because they’re not stupid.