“Sod the wine, I want to suck on the writing. This man White is an instinctive writer, bloody rare to find one who actually pulls it off, as in still gets a meaning across with concision. Sharp arbitrage of speed and risk, closest thing I can think of to Cicero’s ‘motus continuum animi.’

Probably takes a drink or two to connect like that: he literally paints his senses on the page.”


DBC Pierre (Vernon God Little, Ludmila’s Broken English, Lights Out In Wonderland ... Winner: Booker prize; Whitbread prize; Bollinger Wodehouse Everyman prize; James Joyce Award from the Literary & Historical Society of University College Dublin)


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Showing posts with label Orlando. Show all posts
Showing posts with label Orlando. Show all posts

16 March 2009

BIG BOB McLEAN: BACK UP THE HIGHLANDS

BIG BOB, THE BIONIC YETI-STEINER of McLEAN'S FARM ON MENGLER HILL ALREADY: BACCHUS SENDS THE HOLY LIGHT DOWN FROM ABOVE, THE HALO FLICKERS ON, THE WALL GOES THIN, TRANSPARENT, AND PEELS BACK, AND THEN, AGAINST THE ADVICE OF HIS HELLHOUND, THE GRINNING LOVELY BOY WALKS STRAIGHT TOWARD YOU ON HEALED KNEES ... JEEPERS, CREEPERS, WHERE'D HE GET THEM PEEPERS?

Squeaky McLean Resurrects As Big Bob
Barossadeutscher McLeinig Sheds Skin
Somebody Please Shout Him A Kilt!

by PHILIP WHITE - a version of this story was in The Adelaide Independent on 13 MAR 09

Let’s face it. If I were Big Bob McLean’s knees, I would have given up too. Not just from carrying his mighty frame around the hills and gullies of city and field the wide world round ... it’s the sheer number of drinks that needed support.

Anyway, they did wear out, and McLean shrunk.

Not in girth, mind you. McLean’s equator is constant. What altered was the altitude. As those poor legs approached serious kiltspreader bandy, McLean got shorter than me: a difficult thing for an old bouncer to digest. McLean did big time door at the Redlegs Club and The Old Lion when he was a lift electrician and I had spiky hair and ripple soles. Suddenly he was PR at Orlando, and somehow he got Bacchus to tell MD Guenther Prass to send him to live in Sydney to promote Pol Roger champagne, which he did so thoroughly that for a time there in Australia’s brash biz gizzard, PR in fact became Pol Roger, and that front bit of McLean’s vast equatorial zone was known as Pol Pot.

McLean nearly squashed Sydney, which only intensified its thirst for PR.

Sir (Arthur) Roden Cutler VC AK KCMG KCVO CBE, Governor of New South Wales, was awarded the Victoria Cross for his matter-of-fact valour in Syria, which cost him a leg. He was a 'go in do it' sort of fellow; a dignified humble man who enjoyed intelligent, honest and hearty company, especially if there was good red about. Sir Roden was accorded a State Funeral on Thursday 28th February, 2002. He left a big hole at the top of Australian living history. This photograph is from Wine And Spirit Buying Guide, DEC 84, which was edited by me. I reckon I may have taken this photograph. If it's yours, please correct me. Sir Roden was at least 6'6". Bob was big.

That was a long time ago. McLean went on to wear his knees out kneeling on them during his Petaluma years, then using them as a sort of PR forklift in the St Hallett epoch. By the time him and Wilma put McLean's Farm on the top of Mengler’s Hill in the high Barossa Ranges he was shorter than me. Which is handy getting through a fence with a shotgun.

To make up for this lowering, McLean, with Wilma, Sarah and Adam, added 500 metres by planting 6,144 vines in the tough sandstone and schist of that speccy ridgetop, way up in the weather and the yaccas. Dry grown bush vines. Riesling, grenache, mataro and shiraz. Nuts. Wilma runs it more or less along the lines of bio-D, and uses her fat-tailed sheep for weed control and fertiliser. The vines are in their seventh year now, and have spent half of that time in drought. Poor little buggers.

Last summer, which was bad enough, when we sat there on the winery apron, gazing reverentially through the heat at that vinous garland on the ridge, we agreed that something was keeping those vines alive. We took a sledgehammer, and knocked a predominant piece of the vineyard off. In a bucket of water for a while, the weight of that grey stone increased by almost half.

This was something I’d learnt at Mountadam, whilst drying the dishes with David Wynn in the cliff top eyrie he built there with Patricia. The actual bedrock loomed in a huge outcrop outside the kitchen window, and through most of the year, he pointed out, you could watch the water
oozing from it. That whole long ridge is ancient seabeds, and the sandstone’s like a sponge.

McLean’s rocks held so much water through the last summer that it wasn’t weeds that needed munching: the vineyard suddenly sprouted thousands of red gums.

BOB McLEAN IN THE SHADE OF HIS NEW WINERY APRON IN A VERY HOT VINTAGE: THE CRACK WAS GOOD

I was scared to visit or call this year. But,you know, things being what t
hey are, McLean reckons his crop might be down twenty or thirty per cent or so. The vines look quite healthy; even happy. Some leaves yellowed in the heat; they fell. Others took over.

Make an appointment to visit and buy and sit there looking up at that vineyard and drink it: the first vintages are beginning to ooze out of bottle, and both red blend and riesling are exciting indicators of many joys to come, hell or high water.

Some of McLean’s wines are from grapes around about the Eden Valley and Kalimna, on the Barossa floor. Some are blends of that with some Mengler’s fruit. And some, the barr-Eden wines, are off that amazing vineyard, 100%.


The barr-Eden grenache, shiraz and mataro blend is a sultry old oak and wild yeast raven: about as farm gate as you can get. McLean’s cruisy nonchalance on the old basket press had impressed me during its manufacture: the mighty left arm disinterestedly winding the ratchet down – a job due two men - the right switching twixt cigar and glass. It is the fruit of all that you see: McLean’s lovely shed full of barrels, which has the dry gizzards of a library growing within it, as wood panels, books, and the consequent knowledge are the best insulator. Open the wall, and you’ve got that wild, crazy vinegarden on the hill.


And the riesling? With Col Forbes’ help, it’s a rarity of true blue beauty. Like the original Orlando Steingartens. Go, sit, buy.

What I meant to say was McLean’s got new hinges in his knees. A year with the quacks and he’s Big Bob again. Whew! He’s no good short.


BOB AND WILMA McLEAN'S VINEYARD ON MENGLER'S HILL. IT'S TWILIGHT, AND WE'RE LOOKING DUE NORTH FROM THE WINERY DOOR. SEE HOW THE LIGHT'S BRIGHTER IN THE WEST, WHICH IS LEFT. THE VINES ROLL ON OVER ANOTHER RIDGE OR TWO. THIS WILL BE A LEGENDARY VINEYARD.


25 August 2008

The Wellington evaporation pan

by PHILIP WHITE - This was published in The Independent Weekly in April 2007


There were grim faces around the table at Langhorne Creek the other night. Mike Farmilo, Nick Stock and your writer had just spent a day nudging the snifters at the annual Showcase Judging, where the six best local wines are chosen for inclusion in The Langhorne Creek Showcase Selection.


It’s not called a wine show, and no trophies or medals are awarded, but it’s still judged pretty much like a standard wine show, with three judges and an associate, tasting blind and averaging their scores. The rankings are still graded from no award (below 15.5 points out of 20) to bronze (15.5 – 16.9), silver (17 – 18.4), and gold (18.5 – 20), and we chose a Champion Wine of the Showcase.


The sombre mood at that dinner table had little to do with the quality of the delicious selections we made. Uh-huh. This was about water. Drought. The New Heat. Langhorne Creek was the first Australian wine district to be told its irrigation water allocation is now zero. And if Premier Rann’s huge evaporation pan goes ahead at Wellington, their allocation could well be zero for some years to come.


Unless, of course, there’s huge rain up the Bremer Valley, from Salem to Harrogate, and the traditional Bremer flood gushes through, watering the old eucalypty mudflat vineyards closest to the River. These floods submerge whole vineyards, and rarely come at the best time, but might save sufficient vineyards for the district to survive, as it did before modern irrigation. Although not even this primitive system is perfect: the upstream vignerons always take as much water as they like, and decide whether to let anyone downstream have any.


Enough will never be enough, of course. Larncrk - as the frogs and local humans pronounce it - has become a very big district. In 1991, there were 471 hectares of those traditional floodplain vineyards. Their limit was determined by the extent of the flooding, as the aquifer which they had used for supplementary irrigation was cactus: finally too salty for vines.


So Premier Dean Brown arranged new irrigation permits to allow huge-scale pumping from Lake Alexandrina for new vineyards well away from that original flooding mudflat, with its distinctive minty eucalyptols and amazing hoard of Jimmy Watson and Montgomery Trophies, most of which sat on John Glaetzer’s desk at Wolf Blass.


So by mid 1997, there were about 2,500 hectares, most planted by outsiders and newcomers in untried soil away from the Bremer. Key locals thought that might double again in the five years to 2002, to around 5,000 hectares. But in two years there were already 4,317 hectares. At the end of the 2006 vintage, the figure was about 5,800 hectares bearing, with another 332 hectares yet to bear a berry.


One reliable measure of the feverish gold rush mentality which drove this ridiculous, and now obviously unsustainable growth, was a press release from Orlando, boasting that its new planting involved 200,000 trellis posts, 1,000 kilometres of drip line, and 50,000 kilometres of wire.


Larncrk was becoming a kind of Coonawarra Lite: cheaper coolish area fruit grown much closer to the big refineries of the Barossa and McLaren Vale. Fruit whose source would rarely be acknowledged.


In one daring hit, Peter Pargeter, of Vinescape Management Services, planted 320 hectares for the Guild Pharmacists’ superannuation fund, on completely unproven, in fact dubious, samphire country, that grew its own salt lake as quickly as it grew vines.


So suddenly there’s no water other than a little saved up here and there, and the possibility that heavy rains might send another flood or two down the Bremer. That will, of course, flood only those original 471 hectares, and a few newies that have squeezed in on the moody mudflats. Unless five or six years of good rain fills the Murray Basin again, and the Lake begins to flow, all those monster upland prospects will gradually die of thirst. Or salt.


While the aquifer will never cope with another walloping like it had, and will never feed all the new vineyards, it is gradually healing under the new controls. So the winemakers’ logo, a traditional Aussie windmill, may eventually make sense again The Langhorne Creek Showcase Selection will be announced on 4th May and be available for tasting with the other 99 entrants for $10 per head at the Langhorne Creek Memorial Hall on the afternoon of Saturday 5th May.