“Sod the wine, I want to suck on the writing. This man White is an instinctive writer, bloody rare to find one who actually pulls it off, as in still gets a meaning across with concision. Sharp arbitrage of speed and risk, closest thing I can think of to Cicero’s ‘motus continuum animi.’

Probably takes a drink or two to connect like that: he literally paints his senses on the page.”


DBC Pierre (Vernon God Little, Ludmila’s Broken English, Lights Out In Wonderland ... Winner: Booker prize; Whitbread prize; Bollinger Wodehouse Everyman prize; James Joyce Award from the Literary & Historical Society of University College Dublin)


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Showing posts with label Murray River. Show all posts
Showing posts with label Murray River. Show all posts

04 November 2009

MURRAY MOUTH FAKES ONE LAST FLOW

WOODEN BOATS RACING BENEATH THE HINDMARSH ISLAND BRIDGE AT GOOLWA, WHERE THE MURRAY RIVER PREVIOUSLY FLOWED INTO THE GREAT SOUTHERN OCEAN ... photograph by KATE ELMES/INDEPENDENT WEEKLY

Turning Water Into Wine
Viticulture Helps Kill River

by PHILIP WHITE - a version of this first appeared
in THE INDEPENDENT WEEKLY


Aquacaf is a great little seafood restaurant at Goolwa. It sits on the edge of the new fake lake the government’s made with its dam wall at Clayton. It now looks as if the Murray River once again flows into the sea. Where the Finniss waters would normally gush into the channel and make a sharp left hand turn to flow north into Lake Alexandrina, flushing, filling and oxygenating it, she now turns left and bounces off the new earthern wall, then sorta swirls around and back, filling Tom and Wendy’s boat thing, even spilling a little over the Goolwa Barrage into the Southern Ocean after the good rain.

There were a jolly lot of diners there last week, watching a fleet of classic wooden boats perform a polite race in the snot-green water. “Actually it’s more like khaki”, my fierce off-sider told her perfect gravadlax, which came on a wooden trencherboard.

Very ancient ritual, serving food on a trencher. I thought of the rough hands of the carpenter breaking bread for the rough hands of the fishermen at another meal in another epoch. They would have used trencherboards. I wondered how the Damascus rosé looked at that last strange supper; how it glinted in the light. How well it accompanied whatever they’d caught.

Aquacaf provides the perfect platform to gaze upon the Hindmarsh Island bridge. Its gentle bulging curve is easy on the eye, humping, as it does, from out of that old street of stone harbormaster’s offices, across the narrow channel to plunge straight into an aboriginal graveyard.

It’s an highly evocative place to sit, there at Aquacaf. Look north, across the bridge, towards Clayton and Langhorne Creek, and if your brain’s like mine it fizzes with rage and confusion about what the wine business has done to these waters. There was a good fresh aquifer there, but greed and ignorance saw it sucked until it turned too saline for use. More modest use of it has seen bits of it return to something like normal, but the Lake and the Bremer will never again be normal, although the Bremer actually flowed a little the other day, and I liked the thought that it might be putting what my Mum would call “goodness” back into the aquifer, and maybe even the poor buggered Lake.

I thought of the abandoned tailings dams at the old mines of Kanmantoo and Brukunga, then, and how much of their poison seeped downstream with the lovely rains. The wine in my hand came from the safer side of those headwaters, at Romney Park, between Hahndorf and Balhannah, where the water runs the other way, down the Onkaparinga and into the gulf accidentally named after the patron saint of viticulturers, Vincent.

That Hahndorf chardonnay is about as good and fine and precise a drink as the South Mount Ranges have produced thus far. It’s the perfect thing to have with such perfect dishes as Aquacaf’s squid and gravadlax.

While I wallowed in this repast, there with the bridge and the boats and the tupperware tuscany, I wandered back to the days of Premier Dean Brown, who moved some water allocation permits from upriver to Langhorne Creek, to feed the incredible explosion of viticulture that occurred there as soon as the tap came on. In 1991, there were 471 hectares of vineyard at Langhorne Creek: an area limited by the amount of available water coming down the Bremer, and the varying freshness of the aquifer.

The wine industry councils released their thirty year plan in 1995, outlining the amount of vineyards Australia would need to keep the world supplied through to 2025. Thanks to Premier Brown’s new water, the Langhorne Creek bit went very quickly. By mid 1997, there were about 2,500 hectares; by vintage 1999, there were 4317 hectares: a tenfold explosion in eight years.

In one $30 million hit, Vinescape Management Services, planted 320 hectares for the Guild Pharmacists’ superannuation fund, on completely unproven samphire country. It soon grew its own little salt pan, smack in the middle. I still keep the Orlando press release boasting of the size of its new planting: one vineyard with 200,000 trellis posts, 1,000 kilometres of drip line, and 50,000 kilometres of wire. Must be good eh? They planted riesling for Bacchus’ sake! That vineyard’s been on the market for years now.

Anyway, the mighty wine industry sure planted everything its thirty year plan outlined. In about five years. Not just in Langhorne Creek, but all along the Murray, and right across the nation. Nobody seemed to notice this unseemly haste.

HINDMARSH ISLAND BRIDGE ... photo by KATES ELMES/INDEPENDENT WEEKLY

As the waters of the Finniss gradually wear their way through the sinking dam our government has built to seal the fate of our greatest river system, I wonder what wise counsel Dean Brown offers Ms Maywald and Mike Rann today?

What punishment would this mob of rack ’em, pack ’em and stack ’em bullies deal out if this destruction had been wrought by, say, a gang of unemployed thugs from Murray Bridge?
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02 December 2008

LONG DRY ROUTE TO THE KING OF THE RIVER

The author waits for Tony Bilson's magnificent repast at Trevor Knaggs' La Dolce Vita lunch at King River Estate


by PHILIP WHITE - A version of this story appeared in The Independent Weekly on 28 NOV 08


Horsham, drought, late afternoon. The sky is spectacular with thunderclouds: thousands of tonnes of water, stubbornly refusing to fall. Well-dressed farmers sit at footpath tables, glimpsing up, drinking coffee. There’s not much else to do. For hundreds of kilometres, every farm gate has a tractor or two for sale; a harvester; a favourite ute. There is no stock other than the odd scrawny sheep gnawing at what was supposed to be wheat, and a few bony cattle.


The roads have run down. Every village building needs paint. All those Wimmera streams that run north into the Murray are bone dry. I ask for more chilli on my chook burrito. The disbelieving lass produces a bowl of slightly mustard-coloured powder which rips the nose apart. Monosodium glutamate sprayed with Mace. It takes two beers to erase. Where’s the butcher? I ask, dreaming of edible food. Where’s the fruitaveg? “Coles”, she says.


Shops which once housed the butchers and greengrocers now brim with bric-a-brac: home-made artworks, trinkets, and useless caucasian artefacts that householders have chosen to live without.


On the hilltop west of St Arnaud, a quick thunderstorm has left one puddle. I report this to the nearest publican. “Fair dinkum”, she says. “You shoulda took a photograph of it. We coulda used it on a postcard!”


Further east, the Goulburn looks almost hearty. And so it should, if Melbourne’s new pipeline is to deliver. Across the Hume Highway the countryside turns lush green. We wind up the King Valley to Edi, where the tobacco farmers were, but now spread shooting vineyards, ash trees, oaks; creeklines thick with willow and hawthorn. Out of the car at King River Estate. “Jeez mate, this country’s looking good”, I say to winemaker Trevor Knaggs. “We get forty inches”, he says.


Perversely, the purpose of this journey is the annual La Dolce Vita Lunch. Trevor’s beautiful King River Estate wines, and a repast cooked by the great Tony Bilson, who makes the annual pilgrimage from Bilson’s at the Radisson in Sydney to King River, where he cooks for 120 in an old cowshed.


“Talk to Tony”, Trevor says. “Choose the wines. We’re proud of them. We’re going biodynamic.” A sexy tenor sax tootles away as the first diners arrive; waiters don shirts that say “Conserve water. Drink wine”. The first dish is from ancient Rome: almond gazpacho beneath a thin layer of oil. It comes with a croüton smothered in foie gras. Trevor’s 06 verdelho does it perfectly, with its faint hints of kernel supporting rather than contrasting. The duet’s ravishing.


“Now” says Tony. “This lobster tail will come out with fresh shelled oysters and seawater jelly”. The fumé, fennel and cream cheese of the 08 sauvignon blanc does the oysters and salty jelly perfectly, once again supportive rather than contrasting, just as the carambola and drying tannins of the 08 vermentino wrap that hearty lobster.


Somebody had promised to shoot some deer. No deer volunteer, and the 40 kilos of fillet Tony rattled up at the last minute in Sydney gets lost, so local venison turns up anyway. Tony roasts it and serves it in a sauce poivrade with chocolate, foie gras and juniper berries, with asparagus and a purée of potato and celeriac. The mighty King River Reserves, an 06 cabernet sauvignon and 05 merlot nail that dainty: in their different ways, both wines are chocolaty to some extent, and while the maturing chicory greens of the cabernet suit the celeriac side of the dish and the asparagus, the mossy, earthy, merlot nearly brings that Bambi back to life.


The Milawa Cheese Company presents a cheeseboard that just a decade back could be found only in Burgundy or Champagne. So we serve two unusual reds: a sweet 06 merlot, the result of a stuck ferment and some inspired tidying up, and the dry, unfortified - but tawny - 99 Nancy’s Shiraz, named after Trevor’s deceased Mum. “We gotta have this” Trevor says. “Mum’d love this”.


Tony’s mousse of chocolate with walnut cream, red berry salad and balsamic vinegar is a dryish, very adult affair, so we throw the dry 05 barbera at it. You oughta hear ’em slurp. This is one of the most utterly beautiful meals.


Coming home along the River, we first traverse hundreds of open channels gushing with water.
They’re about the same width as the roads, and they’re using the new government grants to rubber-line them, but not enclose them. The chandlers are doing well in the drought: every fifty metres, there’s a neat little steel cable mariner’s ladder so critters can climb out if they slip on the rubber. But there’s only a glum puddle of a River at Echuca. From there to Swan Hill the anabranches are all dry, and there are millions of dead trees. There are no birds left on the road to Ouyen, and at Pinnaroo they’re irrigating potatoes with overhead sprinklers.

25 August 2008

The Ngarrindjeri Curse

by PHILIP WHITE - this was published in The Independent Weekly in August 2008


“What does this mean for the image of the wine industry?” asked Tony McCarthy. The Baldies had woken me to discuss the continuing retreat of Constellation, the world’s biggest wine company, from South Australia. I didn’t really answer his question.


Constellation, which managed to absorb Hardy’s, which had absorbed Chateau Reynella before being absorbed by the big Riverland duet, Berri-Renmano, knows more than most the true value of green bucks.


These are the guys, remember, with the wetlands.


Banrock Station is a perfect example of how you use salty irrigation water on arid land to grow vines which produce little bags of sugar, from which you can legally make alcohol, which brings sufficient profits to fund a swamp along the river from which your humungous pumps took the water for the vineyard. Until it all goes cactus and you put your hand out to the government to help you keep it all looking tickety-boo for a little longer. Which can also be sold as a good news yarn for all concerned. Once or twice.


This is about tweaking the image of the true nature of your business. Green bucks. When John Grant, the President, yep, President, of Constellation Wines Australia, sent out his triumphant press release about how his winery closures and vineyard sales was a deft response “to the difficult global environment by taking steps designed to benefit the company over the long term and, by so doing, help strengthen Australia’s wine sector”, he mentioned the environment, but not Banrock Station. This is because the River is on the nose, but not yet sufficiently stinky to sacrifice Banrock, which might come in handy if the Murray gets better.

“World’s Biggest Wine Company Heals Aussie River”… I can hear it. “We’ll blame this hiccup on the Ngarrindjeri Curse: the disturbed dead of Ngurunderi taking their revenge. Storm Boy has prostrate cancer; old Gulpilil’s pissed in the cane grass; white man’s firewater saves sick river … just a touch more oboe behind the baby ducks, please Boris...”


But image-wise, internationally, the Murray, and its estuary, is quickly becoming our equivalent of the Amazon Basin. A posh pleasure industry based on the totally unnecessary luxury commodity, wine, doesn’t want to be associated with destroying the Amazon Basin. But that’s what it’s done.


In the same news bulletins that reported the Constellation retreat, Dean Brown was on, spraying big time about how us citizens don’t appreciate the hard work Mike Rann and Karlene Maywald are putting into the River. The Brown Man can flush red and lecture, believe me. But suddenly he was doing it for Robin and Catwoman.


Not long ago it was Premier Brown arranging some water rights for his mates in the wine biz who saw Langhorne Creek as a little Coonawarra conveniently close to Adelaide. The vineyards increased from 471 hectares to 4700 within a few years, and now there’s no water and many tears. This sudden lapse coincides with Mr. Brown becoming Mike Rann’s Droughtmeister, not to mention Chairman of Hillgrove, the miner who’s about to dig the biggest pit this side of Roxby at Kanmantoo.


But open pits are thirsty. No worries. Fill the sails of Mount Barker Council and The Courier with bumptious self-congratulatory bullshit about the mining boom being good for the Hills, thus justifying the construction of another one or two thousand villas to house all the lucky employees.


This presents a crisis: what are we gonna do with all this grey water this new Tupperware Tuscany has produced? Easy. Put in a nice little wetland to keep the kiddies and the greens happy with a few shags, coots and ducklings, and flog the overflow to the mine. An environmental triumph matched only by Banrock!


But this is where Dino becomes the Joker: riparian rights. Any effluent from Mount Barker should flow straight to Langhorne Creek, which has no water in the Brown pipes. This may help replace the water they took out of the river a little upstream to supply Mount Barker’s Villa Rash/Greywater Factory so they can fill the kiddies’ wetlands and keep the miners happy. Whew!


The hubris of prospective winegrape investors is similarly malignant: they’re doing soil tests at Langhorne Creek for new big plantings. Now. These, no doubt, intend to take water from one of the private pipes being run past the forthcoming Wellington Weir to catch the last drops of fresh water that managed to get past the Mount Barker pipe. Just think. A few years back it would have run down there to Langhorne Creek, through the Lake, all by itself.


I know many of you think this column should be about wine. But Thirst is thirst, and water is an important gastronomic item. Constellation knows Adelaide is approaching the point where it must choose whether it wants water or wine. The whole world is watching.

16 August 2008

An environmental triumph

by PHILIP WHITE
This was fisrt published in The Independent Weekly in November 2007

Where once ran water, only woe, horror and rage now flood down the Murray. Suddenly, furious blockers picket our parliament like only the violent French would. Desperate to recall what it was like to manage a winery in hard times, the transnational grape refineries struggle to juggle their diminishing returns. Big family wineries are forced to pay their suppliers on delivery. Overhead, sprinklers squirt mindlessly.

“The wine industry will never be the same”, Peter Dawson, Hardy’s senior vice-president of operations, murmured at a party at Paxton’s in March.

It’s a lot worse now. Last week Dawson announced his company’s retreat from its refinery on the River in Victoria, to regroup this side of the border at its Berri Estates, where fifty new jobs might be created.

Never pleased with my thirty years of preaching that Murray Valley viticulture could not be sustained as it was, and that smart wineries should be concentrating their efforts on making better wines for more profit with less environmental and social destruction, Dawson finally announced that his company needed to shift its focus to more profitable wines. But he said “higher-priced”, not “higher quality”.

“The wine industry is not globally competitive at lower price points”, he said. “We should be striving to get all of our Australian wine into higher-priced bottled products.”

Hardy’s have always been prickly at my Banrock Station scepticism. While they market their award-winning property as an environmental triumph, one might ask whether it’s a broadacre big-cropping industrial grapeyard where slightly salty River water is pumped onto an ancient dried-out seabed full of much stronger salt. The little bags of sugar that grow are processed and refined to become what I imagine the senior vice-president of operations would call lower-priced softpack products, until they put it all in bottles.

Use some profit to take the sheep off an old station, and reeds and redgums return to the riverbank. An environmental triumph. Let a swamp develop, call it a wetlands. Another triumph. Then empty the wetlands to put more water in the River, when it gets really crook. Another triumph. 100,000 admiring visitors a year walk the trails, admiring the rejuvenated scrub and riverfront, but the reality of the vineyard is never made quite so clear.

Last week also saw the release of another of the endless scientific reports on the River. This finally put a dollar value on the natural filtration effected by one hectare of working wetland – a higher value than one hectare of productive irrigated land. That is a triumph.

The River has always washed itself. But because there’s been so much poison to be filtered and broken down by the reeds and the weeds and sedge, wetlands which are now being deliberately dried out may never recover. While the dirty water kept them alive, the concentrates now drying in their crusty beds may be too harsh for regrowth.

The whisky bottle was beginning its conciliatory wink when, miraculously, a bottle of O’Donohoe’s Find Tom’s Drop Mourvèdre Shiraz arrived. On its label is an 1896 photograph of the O’Donohoe Brothers’ Hillen Grove Condenser. Michael O’Donohoe’s grandfather, Tom, and his six brothers lobbed on the Kalgoorlie goldfields from County Cork. Traditionally, Irishmen knew how to turn cloudy weak ale into clear powerful poteen in a copper pot still. But O’Donohoes built a desalination business by distilling salty bore water. During the day, anyway. Scouring their photograph, I suspect tradition may have returned at night. Nice marketing.

The vineyard responsible for Tom’s Drop is an environmental triumph. Not only do they need less water, but Michael and Jan are probably cleaning river water by running it through their organic vine garden. “The vineyard is part of a polyculture of trees, vines, plants and creatures” their back label explains. “We endeavour to mimic nature, maintain diversity, and focus on the relationship between soils, plants, and animals.” The living soil below their organic mulch has not been disturbed by machinery for 26 years. They won their Level A Organic certificate in 1990. The crop is always below two tonnes per acre.

And where is this? At Berri. So there’s three examples of nice marketing. Which has the truest ring?

One acre of dirt can never produce more than one acre of flavour. You can squirt on plenty of water and spread your acre of flavour over twenty tonnes of sultana, or chardonnay, seasoned with pesticide, fungicide, and herbicide. Or kill the hose and the poisons, get that mulch going, and squeeze your acre of flavour into a tonne or two of living essence like Tom’s Drop. And guess what happens? You get better wine. For which people are prepared to pay more, because they’re not stupid.

my picks

Coates Organically Grown McLaren Vale Shiraz 2005
$30; 14.5% alcohol; diam cork; 93+++ points
Duane Coates’ third release from the organic Strachan vineyard on the Willunga escarpment proves the provenance of these wisely sensitive minds and some very special soil. Made with wild yeast and zilch intervention, filtering or fining, it smells earthy and wholesome, with the truffly, mossy forest floor aromas you’ll find in great Rhone Hermitage, like the 1978. Judicious oak – some Russian - has given it a fine layer of old spice box. It’s lush, but not too syrupy, with the sorts of velvety tannin and staunch natural acidity that can’t help but make you hungry. Uncommonly fine wine. Pork cutlets, lots of crackling. www.coates-wines.com

Lazy Ballerina McLaren Vale Shiraz 2006
$25; 15.5% alcohol; diam cork; 93+++ points
James Hook, vine scientist, wrangles this California Road vineyard, mostly for a local refinery which uses the fruit as a strengthening essence. Nothing industrial about James’ share: fanatical environmentally-conscious detail to growing, minimal watering, and on through all the traditional winemaking you can think of at Redheads Studio. I wonder how much that shagged dancer’s drunk: this sets MY feet tapping. It’s beautiful, wholesome, dense shiraz, and quite rightfully, the one per cent viognier adds only fine tannin, not the sickening peach syrup some boofheads insist on. A year or two of dungeon will see this glory really glow. Cassoulet. http://www.lazyballerina.com/

Mountadam Eden Valley Shiraz Viognier 2006
$25; 13.8% alcohol; screw cap; 93+ points
Con Moschos, formerly one of Croser’s valkyries at Petal, finally moved to a more impressive Valhalla at Mountadam, and has quickly set the cosmos rippling with this vibrant cracker. It breaks all my rules about this blend requiring only a few per cent of viognier: I couldn’t believe my sensories when Mosh smugly informed me this contains ten per cent! Mountadam’s so lofty and cool the slender vio adds only tannin to a lighter, cool climate shiraz. So much so, the wine’s more along the lines of a racy north Italian nebbiolo, whose DNA is almost identical to viognier’s, after all. It’s lovely, appetizing, crunchy wine. Hare, or venison. www.mountadam.com

Yangarra McLaren Vale Grenache 2006
$28; 15% alcohol; screw cap; 94+++ points
Jess Jackson, the patrician USA supermarket chain owner and grenache tragic, owns this amazing vineyard on the big Blewett Springs sands dune at the Kangarilla end of the Willunga Basin. 60 year old bush vines and canny Vales winemaker Peter Fraser add up to one of the best grenaches I know. In the world. These miraculous sands give burnished hints of Parade Gloss and Marveer, lavendar, rhubarb, cloves, anise, chocolate and nutmeg - an overall feeling that’s more your hot-blooded flamenco dancer full of tapas and tempranillo than your usual cherry and raspberry bomb grenache. Knockout! Tapas; Iberian ham; beef haunch. http://www.yangarra.com/

O’Donohoe’s Find Tom’s Drop Organic Mourvèdre Shiraz 2005
$20; 14% alcohol; screw cap; 94+ pointsMichael O’Donohoe’s vineyard’s been certified Level A organic since 1990. The soil below his mulch hasn’t been disturbed for 26 years. Infinitesimal watering, an absolute maximum of two tones of fruit per acre, and an obsession with maintaining a vineyard that’s “a polyculture of trees, vines, plants and creatures” gives us a hearty, characterful, beautifully balanced living red with a bouquet of cosmetics and cream as much as wild live berries. But they’re there: under that heady perfume, there’s a plump Christmas pudding of nuts and fruits. Sinuous, lithe, perfectly tannic: it’s a miracle. And it comes from the Riverland. http://www.tomsdrop.com.au/

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