“Sod the wine, I want to suck on the writing. This man White is an instinctive writer, bloody rare to find one who actually pulls it off, as in still gets a meaning across with concision. Sharp arbitrage of speed and risk, closest thing I can think of to Cicero’s ‘motus continuum animi.’

Probably takes a drink or two to connect like that: he literally paints his senses on the page.”


DBC Pierre (Vernon God Little, Ludmila’s Broken English, Lights Out In Wonderland ... Winner: Booker prize; Whitbread prize; Bollinger Wodehouse Everyman prize; James Joyce Award from the Literary & Historical Society of University College Dublin)


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Showing posts with label Cheong Liew. Show all posts
Showing posts with label Cheong Liew. Show all posts

11 September 2011

CHEONG: TAKE A FEAST OF HIS HISTORY

CHEONG LIEW PREPARING SOMETHING RADICAL AT Ch REYNELLA, ABDOUT 1982 ... WITH MICHAEL MANNERS AND BARBARA SANTICH ... AUTHOR'S PHOTOGRAPH ... CLICK THE IMAGE AND SCROLL DOWN FOR JEAN DURUZ' AMAZING TALE OF CHEONG'S SIGNATURE DISH, FOUR DANCES OF THE SEA.

Adelaide misses Cheong Liew, who’s been executive chef at The Botanical, in Melbourne, for over a year. Grrrrrr. Jean Duruz, Senior Lecturer in cultural studies in the School of Communication, International Studies and Languages at the University of South Australia, presented an amazing paper on Cheong’s gastronomic intelligence at Sophia University Institute of Comparative Culture in Tokyo, Japan. It was the Feb. 21-22, 2009 symposium, “Globalization, Food, and Social Identities in the Pacific Region,” and DRINKSTER has only just found it. Duh! Thanks Jean for your permission. Click image above for link.

PHILIP SEARLE, SECOND FROM LEFT, STANDING, AND CHEONG, RIGHT, ABOUT 1980-81 ... THE AUTHOR WOULD LOVE TO KNOW WHO THE OTHER FOLKS ARE, AND WHERE I TOOK THIS ... CARCLEW?

13 March 2009

T-CHOW AND THE SATURDAY TABLE

CHEF SO HON HUANG, BOB SKURRAY, PETER COX, DORA TAK SUM CHAN, THE AUTHOR, MRS SO (OBSCURED) GI GI TAK SUM CHAN, ANNE SKURRAY, PAUL JAMES (OBSCURED) AND MIN COX - T-CHOW SATURDAY TABLE ORIGINALS WITH THE KEY STAFF

One Table, Two Decades Of Perfect Lunch
A Legendary Restaurant Changes Hands

Ten Thousand Bottles Of Wine Later
by PHILIP WHITE
photographs by MILTON WORDLEY

Sometime about 1990, when I lived in the inner City of Adelaide, I discovered a new restaurant in the Central Market/Chinatown precinct. It was tiny, seating forty or fifty souls, on the corner of Gouger and Market Streets. Its staff were newly-arrived Chinese; its cuisine Chui-chow; its name the appropriately Ockerised T-Chow.

Language was a problem, but it would have been much worse had it not been for Dora, who worked kitchen with assistant Chef Singlet No. 1 and, occasionally, Chef Singlet No. 2. Dora had been a teacher of English in Hong Kong, and soon taught me that this cuisine came from a small part of Canton where not a lot of overt herbs, spices or flavourings were used.

Dora’s daughter Gi Gi, a speaker of perfect English and student of concert piano at the Elder Conservatorium, was a waiter.

Each Saturday morning, I would select a couple of bottles of good wine, walk from my flat to the Central Market, buy my next week’s food, and the day’s newspapers, and settle down in T-Chow to read, drink, graze, smoke, and take notes on the better wines.

A Singha first, with pickled cabbage. Fish skin next: only from the snook, which was used to make the fish balls. Fish balls, I learned, needed to bounce, and the best bouncing flesh came from highly oxygenated fish flesh, from fast fish which lived in fizzy water. Like the snook. The skin was peeled from the fish, and flash deep-fried in a light rice wine batter. It was utterly scrumptious, and its oils helped stave off winter colds.

I ate T-Chow duck, carefully cooked to drain off most of its fat, bones in. Seafood hot pot, with stingray, mussels, prawns, great lumps of bean curd and shiitake. Whole flounder, baked or steamed. Scallops roast on their half-shells with shallots and mandarin peel. Chiuk-sung with Chinese broccoli, shiitake and ginger. (Chiuk sung is like a tiny loofah: the skeletal remains of a sun-dried, cucumber-like gourd which lives as a parasite on the trunks of baby giant bamboo. Rehydrated and cooked, it’s rich in glycerol and fibre, with an inimitable al dente crunch amongst its lovely slime.) Twin pepper pork: capsicum slices with black pepper and ribs cooked and served in a hot pot. Pig stomach soup: pork tripe, cleaned in milk, and souped with mustard seed and black pepper. Ground pork with string beans and Chinese olives. Omelettes: radish or oyster. Perfectly understated food: you’d never leave feeling overstuffed or uncomfortable: click T-Chow on Google, and you’ll get reams of reviews. I’d rub my belly, say “Thankyou. Thankyou. Happy stomach!”, bow to my hosts, and depart.

Once we gathered the pluck to ask for a little bowl of hot chilli in oil on the side, Chef So became very concerned that we thought his food lacked spice. With Dora’s translation, we explained that no, the food was exquisite. But those of us who’d eaten similar cuisine in Hong Kong or China knew that a little chilli was admissable; that quickly became the norm, and everybody was very happy.

T-Chow’s gentle cuisine became renown for its healing capacities, especially on the stomach tenderised by overly enthusiastic imbibition on the previous eve.

As more City trenchermen discovered T-Chow, the Saturday lunch gradually became a ritual, and at different tables, different little groups gradually made it a regular observance. The restaurant air would fill with the smell of everybody’s baskets of fresh vegetables from the market, and mingle, tantalising, with the smell of roasting duck.

Gradually, we got to know each other. It began with the swapping of glasses and bottles, from one table to another, the recommendation of different dishes to newcomers, and, eventually, the sharing of tables.

A critical moment came the day when a bloke I called Buddha - never to his face, but in my notes and my private mind - rolled in with an imperial of Irvine Merlot. An imperial is six litres – eight bottles worth. Buddha earned this private name for his enormous bulk – 6’4” x 24 stone in the old money - and the satisfaction that glowed from him as he ate and drank, and, when he’d finished, the pacific silent humming omm that he radiated as he remembered what he’d eaten. I commented on the notable fact that a diner should arrive to a quiet solo lunch with an imperial.

“Thinking man’s stubby”, he said, offering me a glass.

For international readers, a stubby is a small bottle of beer.

This turned out to be Big Bob Skurray, of Travel International. Skurray knew the numbers of every flight to almost everywhere on Earth, provided there was a great restaurant or winery at the other end. If, for example, somebody wanted to attend the Russian Tea Room in New York to celebrate a birthday, he would rattle off the best flight for that date, explain the best route from the airport to the most appropriate hotel close to the Tea Room, explain how long the traveller would have to shower and change, give the customer a card with the restaurant’s telephone number, advise how far ahead a booking should be made, and everything would be fixed. Over the Saturday Table.

In the early ’nineties, few Australian winemakers had done much international travel. There had been no call for it. Few had even bothered to visit the great vignobles of France whose wines they were, to all intents and purposes, copying. The Australian wine export boom was then but a dream. But the wine industry quickly realised that Skurray was the man to be organising all those tentative, exploratory journeys into the wine markets of Britain and the United States, or tours of discovery in Bordeaux, Champagne and Burgundy. He looked after his charges.

SAYING A HEARTFELT THANKYOU TO A BELOVED RESTAURANT CREW WHO CHANGED THE WAY MANY AUSTRALIANS EAT

By the late ’nineties, for example, a young Californian wine merchant, Dan Phillips, would trust Bob to advise him of which flight to catch in LA so he could alight thirty hours later in Adelaide, and catch a cab straight to the Saturday Table.

In 1993, I was pushing my way through the throng at Vinexpo in Bordeaux, and “BOO!” ... Skurray the giant leapt from behind a hedge of potted kentias, scaring the bejeezuz out of me. We swapped yarns of favourite tinctures we'd tasted in that great hall, and then discussed what we’d be eating at T-Chow when we got home. What we'd drink with it. It felt like we’d just met in the Adelaide Central Market: perfectly natural.

A few days later, Monica and I had caught a dangerously late TGV from Bordeaux to Paris, to make a non-transferable international flight home. The train was short when we embarked, and made only two or three stops en route to Paris. I’d scoured my maps of the complex Parisienne railway system, and knew that it would be touch and go, changing varieties of train twice more from the TGV to Charles de Gaulle and getting to the plane on time. When we disembarked, we were shocked to discover the TGV had grown to what seemed to be a kilometre in length. It had picked up many more carriages in those few stops, and now we were at its tail end, with mountains of baggage and wine, and a very long run to make the connector into town. We ran. Halfway along that interminable platform, we came upon a huge shape, punching a trolley vending machine. It was Skurray, trying to get his money back. We didn’t stop. “See you at the Table Saturday”, he yelled, as we scurried by. “T-Chow duck, bones in”. Which we did.

T-Chow became so popular the owners soon rented a much bigger space around the corner, in Moonta Street in the middle of Chinatown. There was misplaced panic as myopic cynics alleged the bigger the restaurant, the worse the food would become. But no. The bigger joint had a bigger kitchen, and the quality, whilst varying a little depending upon the composition of the kitchen crew, remained very high.

Because there was much more room, the tables were bigger, and the Saturday crew from the old premises began to share a round table. It started at eight seats. Big Bob was a founding member. With due deference to the Formula One Grand Prix which took place in the City streets each year, he’d say the grace: “Gentlemen, start your stomachs”, and off we’d go. Occasionally his fiancée of fifteen years, Anne, would join. Peter and Min Cox, also in the travel business. Steve Tracey, wine merchant. Paul James, aka Petshop, because he owned petshops.

We began to invite guests, and over the years, people of every walk of life attended that table. Musicians, winemakers, wine merchants, warriors, photographers, writers, sportsmen, hookers, jewellers, priests, designers, artists, comedians, film-makers, lawyers, pharmacists, private detectives, alleged murderers, depressives, policemen, inventors, chefs, poets, doctors, drug dealers, restaurateurs, nurses, shrinks, builders, publicans, gutter rats, enforcers, martial artists, their trainers, schoolteachers, real estate people, egotistical bastards, newsreaders, politicians, reporters, schizophrenics ... you name ’em, that table’s had ’em.

CHEF SO, THE AUTHOR, AND CHEONG LIEW, DRINKING DELICIOUS TOURIGA NACIONAL FROM OLD MILL ESTATE, OWNED BY PETER WIDDOP, THE GUY BEHIND CHEONG, HIS WIFE VICKY,AND THEIR FOUR DAUGHTERS.

It didn’t take long to discover that Big Bob Skurray was a revered black belt Tai Kwon Do man who had a deft hand at massage and back manipulation that he'd learned in that martial training, so it became a regular fixture that he would throw me around like a rag doll after lunch and then put my buggered back into alignment.

“Now, you might get a bit of deep tissue bruising here”, he’d mutter in my ear, reaching his mighty fingers into one of my lumbar vertebrae, to grasp it and move it back to its proper spot. Then half the staff would crawl over his giant frame, attempting to get their fingers into him.

Bacchus knows, Skurray’s saved me $50,000 of physiotherapy and massage fees in those two decades. He’s literally kept me on my feet.

Nearly a decade back, Leo Davis, a self-confessed statistically-obsessed pedant, and amateur taxonomist, began to attend. Before long, he was keeping a spreadsheet, detailing who attended, who introduced them, which wines they brought, and so forth and so on. He’d photograph every gathering, and keep an amazing record, including the label from every wine bottle consumed; even detailing the nature of the conversations, which were often rather heated.

In his nine years, Leo's spreadsheets show that 523 different people have sat at that table, with a total of 5185 chairs filled. You could add, say 70% of that again and you'd have the gist of how many souls have enjoyed gastronomic fellowship there. Around 1997-99, it ballooned for a while to thirty to forty people per lunch, but eventually settled at a more workable twelve to fourteen. Sometimes it’s a pensive, but delicious six or seven, and we can all partake of every bottle. There are no bookings: you get there after noon, and take a chair. Once the table’s full, you start another. To keep it simple, one trusted regular always orders for the whole throng.

We have watched regular, beloved diners gradually grow ill and die during the life of that table; others were there, fit and healthy one week, only to drop dead before the next. So we grieve. We are good grievers. Divorces and marriages have ebbed and flowed; lovers have come and gone; babies have been born. It has been a whole village; a railway station; and it has most certainly been a Vinexpo: around ten thousand wines, including many priceless treasures, have been savoured and shared, remembered and written about.

Chef So was always dependable for something extra special when Cheong Liew and I organised a Duck Walk.

But the other day – you knew this was coming, didn’t you – the other day, dear Dora, and her longtime partner in the business, the formidable Chef So, did their last shift. They cooked us some perfectly drunken chicken and a juicy farewell pig, closed the kitchen, and retired. Just like that.

It was one of those days. The table filled quickly, so we started another. That filled, too. So we built a bridge to connect the two. Round tables are notoriously difficult to adjoin.

Jack Hibberd, the great playwright and poet, flew in from Melbourne to read us a special poem he’d written to mark the occasion. I made a speech about how that restaurant, those beloved people, had changed our lives. We presented Chef So and Mrs So, and Dora, with framed copies of Leo’s spreadsheets from the last twelve months – the ten year job would have been ten metres long.

We dined once again like royalty, and left. Chef So and Dora locked the door, and went away. There are new owners now, of a different gastronomic persuasion from a different part of China, and I have not yet attended under their regime. I may be brave enough tomorrow.

Many, many waiters and chefs learned their dots in that kitchen, on that floor. Two rival restaurants, Ying-Chow and Ky-Chow were started around the corner by people who got their break in the T-Chow kitchen, and these now have their own pilgrims.

Now that I’ve written this, I know that the story will grow and transform as more memories and sentiments float to the top, and different souls tug my sleeve and say “Whitey, you shoulda ... ”

In which case, Whitey shall. The Saturday Table’s like that.

BIG BOB BUDDHA SKURRAY CONTEMPLATES TWO DECADES OF SATURDAY LUNCHES, NOT TO MENTION SOME 10,000 BOTTLES OF WINE. STOP PRESS MILTON, WHO MADE THIS PHOTOGRAPH, AND BACCHUS BLESS HIM FOR THAT, SAYS WEE RAB WAS ACTUALLY ASLEEP.

03 March 2009

CHAPEL HILL VICAR CROSSES THE WOK

MICHAEL FRAGOS: SOFTER FOCUS AFTER A VICAR OR TWO

Michael Fragos Emerges From Dunsford Half-shell
Chapel Hill Learns The High Kick
by PHILIP WHITE

It’s years since Pam Dunsford retired from winemaking, barrel-mongering, show-judging, and arguing with boys, and left her managing role at Chapel Hill, so I was overdue to visit the new crew and winemaker Michael Fragos. I’d been there recently for one spectacular dinner, cooked by that mighty elvish genius, Cheong Liew, to celebrate the Fleurieu Biennale, but I needed to kick some barrels.

No. Stop. I should use that dinner to explain the resort. Chapel Hill has a luxurious set of residential suites dug into one of its stony hills. They’re grafted onto an immaculate stainless steel industrial kitchen, complete with a little indoor grandstand where guests can sit to observe and learn. It’s called the Chapel Hill Gourmet Retreat, and groups book it to be trained in the gastronomic arts, under the sage tutelage of Pip Forrester, the venerable McLaren Vale chef who for years ran the stylish Salopian Inn which Kerry and Zannie Flannagan restored in the early ’eighties.

Other chefs might be invited to partake, too. But putting aside the special retreat periods, the place never operates as a restaurant, other than when the proprietors decide to take some friends to dinner and hire a chef for the evening.

We shared a table with two couples we’d never met that night, and I shall never work out what the hell they were doing there. Every time another exquisite dish glided to the linen, one woman would screw her face into a dishrag and grizzle “Yecccch! Look at that. I dunno howyoozudeedit!” She never tasted one single dish. Not one. Many she’d preemptively decried by reading their descriptions on the menu, if reading is a word applicable to such a withering lack of its evidence. Between major adjustments of her warpaint, the other slewed a little sideways in her chair to distance herself from her whingeing friend, and made it look as if she could tolerate the food, but soon rushed off to bed with a migraine. Leaving the husbands, whose dribble insinuated their collective intent on taking my partner off to their beds, as if their wives were not already there.

As if I wasn’t sitting beside her.

The beds are very beautiful, mind you.

CHAPEL HILL GOURMET RETREAT - CLICK FOR LINK

If you took that scenario as the very basement of the night’s scale of perfection, the food was at the other extreme. And the Chapel Hill wines came in just behind the food. Which is where almost every other good wine in the world would be lined up. Not many winemakers can keep up with Cheong.

Which is not to say the wines have a problem. Pam’s regime was pretty much old school – she was no radical experimenter. Her wines were very highly regarded, but that soon becomes “used to be very highly regarded”. And after a few years’ free rein, I thought, it must be time Michael’s getting some arse kicked in the winery department.

Which he most certainly is.

He presented an 2008 verdelho from Mt Compass and Kangarilla, part of it picked earlier to supply the neat crunchy acidity that variety can produce. At $16, it’s a sauvignon blanc alternative in a way, with all those verbena/lemon pith/lemon slice flavours.

Pam had promoted her unoaked chardonnay as if she’d invented chablis, and while she was proud of its cellaring potential, it never managed to transport me to Chablis. Michael’s 2008, from McLaren Vale, Kangarilla, Adelaide Hills and Coonawarra, had a pleasant balance of leesy wax with its neat acidity, but it didn’t take me to Chablis either. Not for $16. It’s a tidy drink for the price, but not a patch on the bench sample of his wooded 08 which came from a north-facing, windswept Onkaparinga Gorge vineyard near the winery, and from down the hill in McLaren Vale. Hazelnuts and honeycomb were all over its tight fruit; it didn’t need malo.

The sangiovese rosé, Il Vescovo 2008 seemed a little more accomplished than the whites, while maintaining their mercifully modest alcohol levels. Its strawberries and hessian, its puckery, appetising acidity, and its saucy delusion of sweetness had me hanging out for smoked trout or salmon with a little sour cream, a slice of Spanish onion, with a caper, on a toast.

There’s a full-blooded dry red sangiovese, too: Il Vescovo 2006. This had just the faintest whiff of the feathers I smell in my favourite sangers. I am a feather perve. But it’s mainly a chubby black sambucca sort of drink, although totally dry, but with as much juicy-juice as a super-kolossal olive to carry all that aniseed.

Another step upwards to Bacchanalia came in the form of the 2007 $30 bush vine grenache, from 85 year old vines beside the Bethany Church near Wirra Wirra, with extra fruit from the 45 years old Johnston Block behind the McLaren Vale Hospital. It’s dramatic wine: as black as sin and soot, and smelling like a hot tractor in the rain, but with rolls of chubby flesh and comfort cuddling the drinker into assuredness before that tight tannic tail turns into a bullwhip.

The McLaren Vale cabernet 2007 ($30) was more austere and intense, and may even have earned a use of the word elegance if it wasn’t so piously masculine. Stacked at the front with the leafy methoxypyrazines of cabernet – deadly nightshade/hemp/tomato leaf – and drawn out with their grainy tannins in its finish, it simply demands five more years of sinbin.


And the shiraz, which, this being Australia, must come next? It took me straight to Vacqueyras, actually. Up that stony bright hillside in the sun, where I always feel like I should hire a donkey and a painter’s sheet and ride into town with a thirst like Jesus Christ’s. At a trim $30, the wine had none of the jam that curses Barossa shiraz, and a lot of McLaren Vale’s. It’s rather a hunger-promotion device, a savoury, edgy, teasy sort of a brute who’s slightly less masculine than the cabernet but is still most certainly a boy. Or a yoof, really. A yoof wiv grease on one hand and a prune-flavoured frail on the uvver. Waiting for Jesus to come up the hill, outdrink him, and redeem him. And the frail. So they could be married.

Which is where the Vicar should be – up the hill, I mean, Chapel Hill – although we nearly got there before him, me as Jesus, Michael, the yoof, and said yoof’s stroppy frail on my rented donkey.

The Vicar’s the biggest tease in the folio, really, named as it is after the leaders of the straight old Bible-pokin’ Bible Christians who built the Chapel Hill Bible Christian Church there in the first days of the colony. It was the windows of that chapel I once sketched for Pam, suggesting that should be the label. Which it quickly became, without so much as a thankyou mate. Happens all the time. Anyway, at $60, The Vicar’s all shiraz from the vineyards at the rim of the contrasting hell that I call The Wok after the Black Saturday heatwave. The Wok is the bottom of the Willunga Basin: the black cracking crap dirt where once was almonds, between Willunga, Sellicks, Port Willy and Aldinga, where dumb, dull, industrial grapeyards now seem to ceremoniously hari-kiri each summer. It fried this year, and last year, and it’ll fry again. It should be all almonds, olives and native veg. It should house a string of beautiful swamps. It should not have a vineyard in it. These should start uphill, above the line where the alluvial piedmontese gravels and loams overlie the clays. This line seems to follow the creek below Paul Petagna’s vineyard, just down the hill from The Victory. If you were standing on the doorstep of the chapel at Chapel Hill, you could gaze south across to these landforms at other side of The Wok, the opposite end of the Willunga Basin, thirty kilometres away. The safe, top edge of The Wok curves from Petagna’s past Cascabel around to Willunga village in the east, to great mysterous miracles like Roger Pike’s Marius Vineyard, smack on the faultline, and at the western Gulfwards edge fades into the terra rossa and calcrete of Dudley Brown’s Inkwell Vineyard. So the bottom of The Vales is down there at the bottom of The Wok. Hell. But uphill, around its edge, live some of the best vineyards in the state. Those higher ones at the other end are the vineyards The Vicar comes from before taking his posh surrey across to this northern side and up the safe hard hill to his Chapel, to be made in the image of God. Which is a long, fine, silk-and-dust dry red the like of which only Australia can grow. Because this wine grew. As Michael said, “It was not made”.

He showed me barrels of 2008 tempranillo and sangiovese, and a freaky old vine grenache, then kindly drove me home along the edge of the Onkaparinga Gorge to my place. A fortnight later, on Australia Day, while Leonard Cohen was playing in the field

LEO DAVIS PHOTO OF LEONARD COHEN PLAYING IN THE DOCTOR'S FIELD, OPPOSITE THE SALOPIAN INN, McLAREN VALE, AUSTRALIA DAY, 2009, WHILE WATER BOMBERS EXPERTLY EXTINGUISHED THE FIRE IN ONKAPARINGA GORGE, 20 KILOMETRES TO THE NORTH. BUT AFTER THAT, WE GOT HOTTER AND HOTTER.

opposite The Salopian Inn, some berk lit a fire in that Gorge between Chapel Hill and here, and from there the heat went so far up I still can’t really remember anything else.

Although I doubt very much that the Bible Christians would have named anything, let alone anybody, The Vicar. I reckon they would have called addressed their preacher as Pastor, not Vicar. Vicar was far too Anglican.

And Chapel Hill? It’s slowly but very steadily and confidently changing direction. If the new open fermenters and some practical, unsophisticated winemaking equipment are installed and roofed, Michael will be much better able to play his crisp, structured solos. I know. I’ve heard them before.

When that happens, this joint will fully ascend the altar of pulchritudinous luxury. So far, it’s still got a bit too much chapel and vicar.

Cheong Liew At The Chapel Hill Winery Gourmet Retreat

MENU

Kumomoto Style Oysters
Chapel Hill il Vescovo Albariño 2008

Ceviche of Garfish Salad
Calamari Kimchi
Chapel Hill Fleurieu Verdelho 2008

Venison Croquette with Vinegared Green Capsicum,
Fried Yabbie Tail, Fisherman’s Rice
Chepl Hill McLaren Vale Chardonnay 2008

Salt Crusted Whole Mulloway with Roasted Vegetables,
McLaren Vale Bush Vine Grenache 2006

Biodynamic Angus Beef with Spring Vegetables
McLaren Vale Cabernet Sauvignon 2006

Pork Hock with Wood Fungus
Chapel Hill Reserve Shiraz 1990
Chapel Hill The Vicar Shiraz Cabernet 1998
Chapel Hill The Vicar Shiraz 2006

Epoissè Coupe Perriere and Rossini Blue
Semi-dried Figs and Walnuts, Sultana Clusters in Brandy
Chapel Hill The Devil Tawny