Wild Genius Refits Fractal Chaos
story and photographs by PHILIP WHITE
Peter Andrews OAM is into mud pies.
He's a fair dinkum bioneer.
Peter Andrews, left, with George Aldridge and the Harbison brothers, Michael and Bill. Notice Peter's newest wetlands forming just behind his right foot. It must have been infernally irritating for the ABC producers to capture the breadth and depth of Andrews’ vision: he talks with barely-measured agitation, leaping from one confounding fact, theory or anecdote to another, covering the most complex realms of hydrology, hydrogeology, plant physiology, geomorphology, climate, carbon and anything else that happens to drift into the machinegun stream of his infectious imagination, understanding and recollection.
George Aldridge, the revered painter, illustrator and friend, suggested I attend the farm of vet Bill Harbison, who’d brought Andrews, his old Gawler horse-training mate, home to work some magic on the dried-out chip of a farm he’d bought on the stony ridges one or two windfarms west of Burra, near Spalding. The Yacka Moorundi Land Care Group arranged a morning of lecture and question-and-answer in the local hall, with mountains of local tucker, then a full afternoon of field work on Harbison’s farm before a great thirst drove the throng back to the cool Spalding boozer.
Andrews explaining how he's rebuilding chaos into the worn-out creekline at Bill Harbison's place in South Australia's mid-north.“What’s the point of creating a surface that will ensure rapid run-off, and send all your water down there somewhere, where you dam it, evaporate it, and then pump what’s left back up here for irrigation? Save your water. Slow it down. Let it spread. Use your water where it falls!
This is the same infant microswamp photographed the night before in the shot at the top. The feather's still there. A vehicle has driven right through the middle of it, the opposite of the plan, yet even that simple accident has put more chaos into the stream. It'll all begin again, if it's allowed.Andrews grinned with the satisfaction of a four year old in a taddy puddle. “See?” he marveled. “Wetlands! And look what happens when I put this rock back here, or put some of this dead grass across here! What if I make a little embankment across here. Look at that water: look! It’s going sideways! It wants to spread! It’s spreading seeds and nutrient across your country! Look at that froth! It’s forming its own retaining embankments and pools!”
And how good are our kids gonna be if they don't get their fair share of mud to grow up in? They'll die of allergy in a world of too many clean flat things. And one suspects by the fierce glare in Andrews' bright eyes that he thinks we're about to starve to death watching them.

Like a good geologist, Andrews thinks in 3-D. He reads landscape quickly, always imagining how he’d rework it, to put it back more like the intricate way it worked before we cut everything up into little squares and killed anything that grew there that we could not sell.
Some of the very old geology in Bill Harbison's hill. This is from the Burra group, which fills the gap between the Umberatana (650-750 million years back) and the top of the Paleoproterozoic Basement (1.6 billion). It seems that Peter Andrews wants to put some of this ancient chaotic energy back on top.He’s radical. He believes grass is a monoculture, and that eucalypts are too.
When challenged by Sally Hawker of North Bungaree Station why he wouldn’t just go out on Bill’s stony hill and plant some lovely natural gum trees, he said “What? Plant the most water-wasting things you can get? A plant that guzzles enormous amounts of water from your ground until it’s all gone, when it gets the sulks and covers its leaves with protective wax and goes toxic, so nothing else can compete?”
The Sermon on the Mount It is impossible here to explain the vision of Andrews much beyond that, although I shall attempt to extend this essay once I’ve let my current headful sink in. It may crawl to the horizon before me.
In the meantime, you can dig out the essential Australian Story episodes as a primer, check Andrews’ website, which he gets no time to work on, then read his two books: Back From The Brink and Beyond The Brink.
And the notion of imposing this practical intelligence on the Big Rivers while there’s plenty of water has him glowing with excitement, but that’s another 100,000 words. Let it rest on his suggestion that there’s no better time to change attitudes than one like this, when politicians, scientists and bureaucracies really do have their sweaty backs to the wall.
On the phone, comrades!
And yes, I haven’t mentioned wine. One of the reasons I made my way north was my interest in the crippling salt problems some vignerons are having in the Lower Flinders Ranges winegrape region just over the range from Harbison’s farm. This is a direct result of their interference with the chaos of their country: vignerons are amongst the most brutally efficient organizers of terrain, of waterways and plant species. Plant vineyards on thrashed pastoral country, and you’ve got trouble. Which is exactly what I recall warning growers the day I opened their new appellation, what, a decade ago?
"Beware the dull mono-cultural petro-industrial grapeyard." That threadbare mantra has got me fired from most of the good newspapers in Australia, but it hasn't yet got me fired from my own blog. So I have a comrade. Andrews’ theories and practical examples are anathema to most modern Australian viticulture.





7 comments:
One of those 'Of course! That's exactly how it should be done!' ideas ... Hope we haven't left it too late.
Just watched Australian Story ... Wow. This man is a genius. I now totally understand your evangelical reaction. Everyone should be doing this. Now! Am now off to see if I can find out more about whether the idiot bureaucrats are any closer to dismounting their high horses and allowing common sense to prevail ...
That won't take you long. Start with the Murray Darling Basin Authority.
Long time advocate (38 years) of Peter Andrews... still beavering (not accidental) to get his message across. Our Natural Sequence Association pushes his cause with puny muscles - need more oomph to counteract the naysayers in DAFF, MDBA, CSIRO, DPI and the list goes on. Go to your local member and demand action on the regulations that prevent Andrews' work. More voices singing from the same hymn sheet please.
Julia
“The San Ysidro River runs through the San Juan valley, turning and twisting until it discharges sluggishly into Black Rock Bay under the protection of Bat Point. The valley itself is long and not very wide, and the San Ysidro River, having not very far to run, makes the most of what distance it has by moving from one side of the level stretch to the other. Here it cuts under a cliff, against a mountain, and then it spreads thinly out on sand-banks. During a good part of the year there is no surface water at all, and the sandy bed grows full of willows which stretch their roots down toward underground water.
"Rabbits and raccoons and small foxes and coyotes make their homes in the willows of the river bottom when the water is down. At the head of the valley to the north and east the river rises, not as one head, but in many little branches, so that the source on a map looks like a tree with small, leafless branches. The dry and stony hills with shoulders and gullies and canyons do not supply water to the river during all the year, but when the rains fall in the late winter and spring the rocky shoulders absorb a little of the water and cast the rest in black torrents to the little streams that tumble out of the creases, and the streamlets combine and join larger creeks and the reeks come together at the northern end of the valley.
"So it is that in the late spring, when the hills have digested as much rain as they can, a heavy storm may swell the San Ysidro River to a raging flood in a very few hours. Then the foamy yellow water cuts at the banks and great hunks of farmland cave into the river. Then the bodies of cows and sheep go tumbling and rolling in the yellow flood ...” AND WAIT FOR IT... once again the man ties the huge description into one perfect sentence.... “It is an unstable and precocious river; dead during part of the year and deadly during another part.” John Steinbeck, The Wayward Bus, 1947
Loved your article on Peter Andrews.
We had him in the studio for a chat and I felt like i’d been in the presence of a great man.
He’s like Jesus Christ – with his view so outside the box yet so goddamn sensible.
Anyway, well done.
This is a very good article! It's encouraging to see passionate people taking this kind of approach. We should all be spreading these ideas and messages.
Well done Philip!
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