“Sod the wine, I want to suck on the writing. This man White is an instinctive writer, bloody rare to find one who actually pulls it off, as in still gets a meaning across with concision. Sharp arbitrage of speed and risk, closest thing I can think of to Cicero’s ‘motus continuum animi.’

Probably takes a drink or two to connect like that: he literally paints his senses on the page.”


DBC Pierre (Vernon God Little, Ludmila’s Broken English, Lights Out In Wonderland ... Winner: Booker prize; Whitbread prize; Bollinger Wodehouse Everyman prize; James Joyce Award from the Literary & Historical Society of University College Dublin)


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03 October 2012

PHYLLOXERA BOSS HITS McLAREN VALE


Waiting For The Big Outbreak
Phylloxera Boss Has A Preach
"Public Consultation" Manqué
by PHILIP WHITE

It’s hard to grasp what Alan Nankivell thinks he did in McLaren Vale last night.

As fifty heavy wine industry farmers and makers gathered at the meeting in the Bocce Club, Nankivell, the CEO of the Phylloxera and Grape Industry Board of South Australia, filled the doorway with his large frame, ticking names off a list on a clip board. 

“You didn’t tell us you were coming,” he said as I took my turn.

“I didn’t realise I had to RSVP.  I thought this was a public meeting.”

“If you’d really been invited you would have known we expected an RSVP,” he snorted.  He couldn’t very well bar me, as he’d just performed the same strange ritual on Dudley Brown (Inkwell grapegrower and winemaker and former chair of the McLaren Vale Grape Wine and Tourism Association), and his partner, Irina Santiago, the Sustainability Officer at the same organization. 

After a talking-to, he’d let them through, too.

Nankivell had been told by his Minister, the Hon. Gail Gago MLC, (below) Minister of Agriculture, Food and Fisheries, Forests, Regional Development, Tourism and the Status of Women, to get back out into the industry and find out why many were showing deep concern about his board’s quiet softening of the regulations which were in place to limit the spread of Phylloxera, the tiny vine root louse that killed all the vineyards of France over a century ago, and infested parts of Victoria and New South Wales soon after.


In other words, scrap the secrecy, open up to those thousands of winemakers and grapegrowers who pay your wages, and do the consulting you were always expected to do.

Gago ordered that they re-instate the pre-November 2011 Plant Quarantine Standard, and to quote the board’s own propaganda, “examine the industry’s concerns in detail and consult with the industry” before getting back to her.

South Australia’s rigid anti-Phylloxera regulations have kept this state free of the deadly bastard of a pest for a century.  Elsewhere, governed by the national Phylloxera regulations, the disease has spread.  Under intense lobbying from the huge vine nurseries and their lobbies and associations, and the biggest wine companies, who revile costly paperwork and restriction and responsibly look for every cent they can flick on to their shareholders, the South Australia board has been pressured to adopt the national protocol, which is not so rigid. 


 

After it entered Australia through the old Swiss grapegrowing settlements around Geelong, the Phylloxera bug soon made such a wreck of the Victorian wine business that South Australia took its place as the country’s major wine producer, a position it has never let go, much to Victoria’s chagrin.  

Phylloxera spreads via transported plant material, soil, machinery, cars, shoes and such.  It can live undetected in the soil for twenty years.  There have been at least 7 new phylloxera detections in Australia in the last 10 years but prior to that it had not moved for almost 100 years. The only way of removing it is to kill and destroy the vines it feeds on.  The only way of growing grapes in Phylloxera-infested ground is to graft wine varieties onto non-bearing Phylloxera-resistant wild vine rootstocks originally from America, a dramatic and expensive exercise which changes the flavour of the fruit.

Aficionados prefer wine from old pre-Phylloxera vines on their own roots, like the great collection of old vine vineyards spread about South Australia.  Natural vines, if you like.  France can no longer boast such flavours, as virtually its entire vignoble is on grafted rootstocks.

Some believe Phylloxera has never entered South Australia; it has never been detected here.  Some seem certain it’s already here, waiting to emerge. Many growers, particularly those with these priceless old vines, were aghast to discover that the Phylloxera board had softened the restrictions on the movement of machinery, grapes and plant material.

There is constant pressure to do this.  Big transnational companies like Pernod-Ricard (Jacob’s Creek) and Accolade (Hardy’s), and Australia’s Treasury (formerly Fosters, including Penfolds, Wolf Blass etc.) depend upon rapid and easy movement of machines, cuttings and fruit across the whole south-eastern corner of Australia.  Their wineries are in the Barossa and to a lesser extent, McLaren Vale, but they take fruit from all along the big rivers, right up the east coast and down into Tasmania.

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“Historically, the board’s role is about preparing for a potential outbreak.”  
Alan Nankivell, CEO, Phylloxera and Grape Industry Board South Australia

The Phylloxera board is chaired by Robin Nettlebeck, who manages South Australia’s biggest vine nursery at Yalumba, another huge fruit shipper. He was preceded by a Foster’s man, Richard Hamilton (not the Coonawarra/McLaren Vale winemaker). Because they own big nurseries, and can afford it through economies of scale, the vast majority of the vineyards owned by these leviathans are already on Phylloxera-resistant rootstock. They may have some old vine vineyards for showing off when the gastroporn cameras are flashing, but these are infinitesimal when compared to their vast holdings of modern industrial grapeyard. Both men were present last night, watching the CEO deliver his message to a disbelieving audience.

Which is what he did.  He preached.  Hectoring, bombastic, dismissive.

Perhaps to disprove this description from the start, he surprised us all by beginning with “any questions?”

As the questions gradually emerged from an audience who’d reasonably expected to be asking their questions after his presentation, Nankivell responded with repeated versions of “Okay we’ll be answering that later ... yes, good question, I’ll be answering that soon ... any more?  Yes, we’ll get round to that … ”

He wobbled racily through a hazy history of his organization, and while he mentioned many events which occurred before his time there - back when he ran the Alzheimer’s Association - or other issues which he plain couldn’t remember in detail, he went to great lengths to explain that “historically, the board’s role is about preparing for a potential outbreak.”

As the questions now came steadily, his tone became even more hectoring.  When Drew Noon MW, revered grapegrower and winemaker, interrupted and asked if he could make a comment, Nankivell shot back “A comment or a question?”

“A comment,” repeated Noon.

“Well it better be brief”, spat Nankivell, who showed more obvious tetchiness while Noon methodically and calmly made point after pertinent point.

Without mentioning the fact that the big nurseries (like the one the board’s chairman manages for Yalumba) would stand to make embarrassing millions selling grafted rootstocks if Phylloxera did perchance cross the border, Noon put the very simple question:

“What benefit does South Australia get from this change?  Who benefits?”

More irritation.

When Nankivell said “We have no evidence of the restrictions being breached,” Noon gave an example he said he’d reported to Nankivell, who reacted as if Noon was delusional.  He did eventually admit to a major breach committed by the giant Bunnings hardware and garden supply chain which was caught illegally selling vines from a Phylloxera-risk zone in Victoria through four South Australian stores.  And then he recalled others, but the whole attitude was one of “trust me, trust the board” as he waved the Phylloxera protocols around like a streetpreacher whacks his Bible.

When venerable grapegrower and community elder John Harvey said “What I reckon you’re telling us to do is practice safe sex,” there was more fluff and bluster.


“It’s about cutting red tape,” Nankivell preached.  He wanted us to believe in him.  Many obviously didn’t.  So he went on and on about “people doing the right thing by themselves because it’s their business.  They won’t take risks with their own business.”

Three stages of Phylloxera, dining on vine hair roots, greatly enlarged.

And yet, when cornered, he said “you can’t legislate for everything,” and kept coming back to a sermon about how people should be diligent at “their own farm gate” and control possible Phylloxera infestations by checking trucks, machinery, and grapes being delivered.

By which time, of course, it’s probably too late.  The preponderance of truckies who remove the speed limiters from their prime movers in order to keep their business, at risk of huge fines and the loss of their licenses, is a good example of how self-regulation beats hard law in extreme times. But were such a pressured trucker to bring the bug in on a dirty truck or on grapes, it would give Nettlebeck’s organization the chance to show off its brilliant science with aerial surveys and whatnot, to measure the spread of the disease.  Within metres.

After which, no doubt, the great expertise of members of his board would come into play as the big nurseries replaced dead vineyards with new grafted rootstock-based vines, to save the Australian wine industry.

In which case the license we’d lose is our priceless old vineyards. Forever.


The Henschke Hill of Grace Vineyard, planted in the 1860s: many of these great old heritage vinegardens would fall quickly to Phylloxera ... photo Milton Wordley

Some figures from a previous blog: At about $5.50 a grafted cutting; 2,000 vines per hectare; 5,427 hectares of vineyard on its own roots and a Phylloxera invasion in Coonawarra, you’re looking at a $60 million gross income for the vine nurseries, without considering the cost of vineyard labour or machinery.  Or the loss of production the growers would face during the many years the changeover would require. And that’s just Coonawarra.  Many of them are already on rootstock, but South Australia has 75,000 hectares of vines.

Nankivell went on through a grand list of very obvious risks, which he ranked from “very high” to “high”.

At one stage, former chair of the board, Foster’s man Richard Hamilton took to his feet and pointed out the biggest threat was what he called “the afternoon tourists”, who could have stood on Phylloxera-infected ground in Victoria in the morning, flown into South Australia, and nonchalantly wandered into your vineyard in McLaren Vale, Clare, or the Barossa, in the afternoon.

“I’ve got a beard,” he said.  “A footbath is one thing.  You can get them to wash their shoes. But Phylloxera gets everywhere.  If I’d been in a Phylloxera outbreak, it’d be in my beard, in my clothes, on my skin.”

At which point I recalled the official derision shown me in 2009 when I dared mention the Tour Down Under bicycle races through most of South Australia’s cooler vine regions, not to mention McLaren Vale and the Barossa.  In this admirable event, people fly in from Victoria and all over with their picnic tables and portable fridges, set up in the shade beside or in somebody’s vineyard, and celebrate merrily until the bikes have gone past. 

As Nankivell continued, I couldn’t help thinking that even the mere fear of Phylloxera would send the more responsible growers to buy prophylactic rootstocks to secure their vineyards in the face of the threat which the CEO of the Phylloxera board had just then responsibly promoted.

His line grew to a grand crescendo about self-policing being the best measure, and then, right when I thought he’d be asking the sinners to come out the front and repent, Jim Banman, a senior grower, asked Nankivell if he’d like us to show our opinion with a display of hands.

It was all too obvious that most hands would go up if the question was “how many of you are not convinced?” so Nankivell said “what would you vote on?”


Backyard grape sales from a Phylloxera-infested area

He then finished with a neat non sequitur, and told us there was nothing to vote on, that we weren’t there to vote, and that he’d come to make a presentation of the new brochure, Phylloxera Risk Assessment undertaken by the Phylloxera and Grape Industry Board of South Australia.

It was like an Irish Knock Knock joke.  It goes like this:


"Say knock knock."

"Knock knock."

"Who's there?"

And that was it.  Apart from a very strange discussion which Irina Santiago and I both witnessed between Robin Nettlebeck and Dudley Brown.  Obviously startled at the polite vehemence these respected grapegrowers and winemakers had just shone upon his organization, Nettlebeck mysteriously said “McLaren Vale is obviously a bit different to the Barossa, isn’t it.  You don’t get so much fruit coming in here from outside.”

I pointed out that Accolade was planning to move its vast fizz manufactory to Tintara, in the main street of McLaren Vale, which would see thousands of tonnes of grapes being delivered from all over Victoria.  In a disbelieving tone he asked whether I’d asked Accolade for confirmation, and went back to Brown.

Which was good for him.  Initially, workers said Accolade would move its fizz action to Chateau Reynella, but that factory now seems destined to become a humungous Bunnings, the aforementioned garden supply chain which committed the Phylloxera regulations breaches mentioned above.

“Perhaps we could do something different for you?” Nettlebeck said “ ... something special for McLaren Vale?”

We left, mystified at whatever it was he had on offer.

What could it be?  A special wine district which nobody can leave, or enter?


Oldest Shiraz vineyard on Earth, still producing?  Probly.  Langmeil's Freedom, planted 1843 ... gone and forgotten should Phylloxera cross the border

When CEO Nankivell, or indeed chairman Nettlebeck, go back to Minister Gago to wave their brochures and boast about the excellence of their consultation with the regional stakeholders, we can only trust their report has been shortcut by responsible wine folk who cc her into every communication they make with the Phylloxera board.

Written submissions about the proposed relaxing of the regulations close on 16th October, this month.  Oh, hang on: I just read the back page.  They haven’t invited you to comment on the relaxing of the regulations at all.  Instead, they want you to endorse their proposed actions “to address the ten risks of highest concern,” as identified by them.

In which case you might just as well drop the Minister a note about the proposed relaxation of regulations.

In the meantime, if chairman Nettlebeck really wants to do something good for McLaren Vale, indeed the whole of the South Australian vignoble, he should recommend that the Phylloxera board be composed mostly of independent experts, and not major wine company apparatchiks or vine nurserymen.

For an independent chair, I would nominate somebody like the horticulture king of this state, Stephen Forbes, director of the Botanic Gardens.  He appreciates many types of Phylloxera, is an expert in economic botany, and he reckons he’d be happy to fill such a role.

Then, I can think of no digestible reason whatever for the Phylloxera board’s minutes to remain secret.  They should all be on its website, vested interests listed every time.  If the Reserve Bank board can do it, surely this lot can get properly transparent.  

In the meantime, they should be reinforcing and toughening the anti-Phylloxera regulations, if only to avoid that outbreak they believe they’re historically here to manage. 



To read viticulture scientist James Hook on this subject click here.

26 September 2012

BILLY THE SHAKE: ON THE NOTED WEED


[ L X X V I ]

 

Why is my verse so barren of new pride,
So far from variation or quick change?
Why with the time do I not glance aside
To newfound methods and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth and where they did proceed?
O, know, sweet love, I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent:
     

For as the sun is daily new and old,
So is my love still telling what is told.
 


William Shakespeare
(ca 1595)


For asking, rather triumphantly, a teacher whether this meant Billy Shakespaw was on drugs, the young Whitey got thrown out of an English class at high school. By Mrs Moriarty, not Miss Mizing, who would have enjoyed the impertinence. This was not one of the sonnets we were meant to be studying.  So it was with some glee he discovered, nearly fifty years later, when they dug around the old Stratford cellar and grounds, that the Bard probably did partake. Could this be a pertinent lesson for those of us who struggle to find new wine descriptors, dressing old words new when most wines are ever the same? Selah.


25 September 2012

VALE CRU 2012 TICKETS GOING FAST

Vale Cru, the determined alliance of some of McLaren Vale's best and smallest premium wine producers, has a record of staging the most enjoyable and informative wine tastings.  This year's event at The Victory Hotel is a JV between the winemakers and Alison Paxton's new and booming cheese dairy  called Kangarilla Creamery, Adelaide Central Market specialists Smelly Cheese, and Bracegirdle chocolatiers.

“The coming together of a group of wine producers, each one small, each one doing the hard yards in the pursuit of quality is a great development for McLaren Vale,” says the group's spiritual patron, Drew Noon. 

“Their motivation is not primarily money but for the satisfaction of seeing people enjoy their wines. We at Noon Winery support the small producers for the diversity, innovation and uniqueness that they bring to the wine scene.”

Tickets are $40 at the Vale Cru website www.valecru.com.au

photo James Hook, Lazy Ballerina

24 September 2012

PREGNANCY WARNINGS FOR OZWINE



The following letter was e-mailed to all Australian wineries this afternoon.  Most winemakers seem rather surprised.

Dear Australian winemaker

It is important that you please spend a moment reading this note about pregnancy and wine labelling and  take action to make the suggested  label changes (if you have not done so) from  your next bottling run.

Today the Winemakers’ Federation is announcing a partnership with DrinkWise Australia encouraging all winemakers to adopt “It is safest not to drink while pregnant” messaging on their labels. This initiative provides immediate and free access to the recommended logos and style guide you require to incorporate this messaging into your labelling. The easy steps which you (or your graphic designer) need to follow are set out in the attachment to this email.

The Winemakers’ Federation strongly believes all winemakers should make these labelling changes. Importantly, the changes  will  inform our consumers about the risks associated with drinking while pregnant. Also, it will further demonstrate  that the wine industry supports responsible consumption. It will reinforce the message to Government that as an industry we can self-regulate when it comes to important social issues.

We encourage you all to read the details in the attachment and to take the necessary steps to participate in this labelling initiative. Please contact Paul if you wish to discuss this matter further.

Regards

Tony D’Aloisio                          
WFA President                                

Paul EvansWFA 

Chief Executive

Winemakers' Federation of Australia


Monday 24th September 2012

LINKS TO PREVIOUS ARTICLES

Intoxication and rural civic amenity
A week of feverish wowserism
Big wine festivals barely legal
Prohibitionists march under cover  
Giving wine the tobacco treatment
Interview with lobbyist Michael Thorn 
When you're drunk you're terrific   
Cheap plonk and the war on drugs

ABC RADIO INTERVIEW 

DRINKSTER on local ABC radio with Winemakers Federation CEO

FOOTNOTE:

DRINKSTER just today received some lovely Pinots from Oakridge, for appraisal. Tony d'Aloisio, the Chairman of the Winemakers' Federation, is one of the two directors of this family-owned winery in the Yarra Valley.  None of his wines carry the pregnant lady symbol, nor the text warning.
 

21 September 2012

GRENACHE WELL WORTH CELEBRATING

Christ dining in Young & Kacksons, John Percival 1948


It Was Here From The Start
Grenache Gets Its Own Day
Good Excuse For Us To Play  
by PHILIP WHITE

So that was International Grenache Day. 

To get this in perspective, Jancis Robinson’s hot new ampelography, Wine Grapes, lists 1,368 varieties.  I’m sure the marketing graduates of the future will eventually ensure that each of these has its own individual day, when that’s all we drink. In the meantime, in keeping to my theory that they must be reading their ampelography upside-down, and for some reason started on the varieties that end in O, it is significant that Grenache is recognized with its very own day.

The odds were against this.  Given the vast number of pages between varieties that end in E, like Grenache - or Greenache as it was known here a century back - and those of the current obsession with varieties that end in O, like Vermentino, Fiano, Greco, Alborino, Aleatico, Assyrtiko, et cetero - it is significant that this misunderstood and undervalued variety is very lucky to be honoured so.
 

It’s been here since the beginning of the whitey invasion, Grenache, and it was the finicky Poms, not the Germans to blame.  My ornery forerunner at The Advertiser, Ebenezer Ward MP, of Mackgill (below), reports its significance in his brilliant columns of exactly 150 years ago.  By the time he hit the winehack track in 1862, Ward reported Grenache grown successfully in the south by Edward John Peake at Clarendon, and north-east of Adelaide town by Alexander Hay at Linden, where it was “thriving better than any other kind”.  Further up the hill beyond Beaumont, William Milne’s Grenache grew “luxuriantly”, but was “more susceptible to the baneful influences of hot winds” than the other varieties.

Contrary to Don Dunstan’s theory that the Italians introduced the vinegar fly to Norwood, August Meyer and Edward Cartwright both grew Grenache there.  Further up the hill, at Auldana, Patrick Auld’s Grenache vines were “flourishing in great luxuriance”, but Mr. Auld had “not yet thought it necessary either to trellis or stake them.” Osmond Gilles grew Grenache at Glen Osmond, where J. W. Bull, his vigneron, thought “very highly of the Grenache and would have planted more of the variety if he could have procured the cuttings.

Short supply, see.

“There can be no doubt that the Grenache is particularly well adapted to this locality,” Ward recorded, “for both Mr. Hay and Mr. Milne give an equally favourable account of its growth and yield in their vineyards.”

Over the Torrens and up the hill at Athelstone, J. G. Coulls already had “old vine” Grenache.  R.  B. Andrews grew it well at Montalta; Peter Cumming at Craigburn; W. H. Trimmer at Fairford.  

Although he travelled widely enough to become infamous for hollering for “Krug’s” in place of the £50 worth of “liquors supplied” but for which Yorketown publican Ludwig Frederick Wicklein was never paid, Ward makes very few mentions of the Silesian settlers, except to mention a “large number of small vineyards in and around the township of Tanunda” where “M. Sobels purchases the grapes from most of them and manufactures the wine himself.”

The only real mention of Barossa Grenache is in the piece about Henry Evans, who was planting it at Evandale, but that was away out near Keyneton.

In these early days of the colony, the gentlemen investors used much of this Grenache to make dry table wine.  By the time our next great wine writer, The Register’s Ernest Whitington got round to singing for his supping forty years after Ward, the business was a very different beast indeed. 

Whitington was no Krug aficionado, but a good numbers man.  Most of his work is about volumes and tonnages.  While he rarely mentions varieties or flavours, you can smell the Grenache in there.  Lots of it.  


The Yangarra High Sands Grenache vineyard: planted in 1946 by Bernard Smart and his Dad, never irrigated, and still going strong ... photo Stacey Pothoven.





In 1902, South Australia produced 2,431,565 gallons of wine, over a third of which was exported.  This marked a fivefold increase in production in only twenty years.  In the same time, exports went from 30,000 gallons to 850,000.  By then, they’d mined enough copper to make plenty of stills, it seems, and the wealth created by supplying England and Australia with cheap sweet fortified plonk was giving rise to the great family wine brands whose traces still linger on our shelves. The Grenache their fathers favoured as a gourmand tipple was now extremely handy as a high-bearing supplier of sugary pink juice to fortify and flog.  Grenache became a sugar mine.

These were the shameful days when mighty wine temples were built on the sale of rotgut to the original Australians, who were devastated even more viciously than the broken white heroes who would return from those two world wars.

By Whitington’s day the revered names included Basedow, Cleland, Seppelt, Tolley, Smith, Hardy and Reynell: all masters of the fortified Grenache.


The Patritti family (above) were masters of Adelaide Plains Grenache between the wars, and are still making great wines in their old winery, which is now completely surrounded by houses.  They still make Grenache from the last suburban vineyard in the southern suburbs on Marion Road, which was saved from becoming a Colonel Sadness during my Adelaide Vines project in 1988-9, when Brian Miller and Richard Hamilton agreed to contract the fruit. Grange creator Max Schubert (below) loved Grenache, too. That's Max and Thelma, centre, with suburban Grenache growers Lea and Jack Minnett, wine merchant David Porter, and Angelsey Estate winemaker Lindsay Stanley in 1982. As you can see, that was a bonnie day indeed. But the Angelsey vineyards were eaten by housing in the nineties; most of the vineyards Ward mentioned met the same fate long before ... photo Philip White
By the time I banged into my first Grenache the Second World War was over, and the sickly sweet ports and sherries that kept the wine industry afloat had killed nearly all the old soldiers and their wives, so Grenache was beginning to re-emerge in dry red blends, like that flagon of Hardy’s I commenced as a schoolkid in the bushes at the back of the Crafers Hotel, and finished in the handbasin of a very sexy schoolteacher later that evening in Mt Barker.

To get an idea of how Adelaide was in those days, click here.  To see it a little earlier try this. Both these old movies show suburban vineyards: the second one shows Grenache being picked at Penfolds' Grange.


A temple to dead Grenache kings: the Seppelt family mausoleum at Seppeltsfield in the Barossa.  The Para Grenache vineyard here is Australia's biggest bushvine vineyard.



When I lived in the Barossa in the ’eighties, the pride of Tanunda, its biggest pub, was notably bought by a Greek, Peter Paulos, who cast open the cellar there and let us pillage its remarkable collection of Château Reynella McLaren Vale Burgundies, which were various blends of Grenache, Shiraz, Mataro and Carignan, maybe even some Cinsault, which was then called Ouillade. These great bottles were already fifteen to twenty years old, and drew the thirsty Whitey in like an empty camel.

All those vineyards were swallowed by houses under Labor governments.  Apart from the doomed Seaford Heights land, the best and last of the old geology is now ghetto.

Learning, learning.  A man is not a camel. A man is a ravaging, more destructive and greedy beast.

By the time of the horrid advent of GSM, which was first formalized at Rosemount in McLaren Vale, you could tell which varieties were in over-supply: #1: Grenache; #2: Shiraz, and #3, Mourvedre.  This abject horror amongst three-letter lab acronyms surreptitiously became the recipe for a whole generation of terrible red drinks which never were the match of those old Reynellas. 

Frank Gagliardi's Grenache Vineyard at Munno Para.  Tim Freeland and Dominic Torzi use this fruit in their exquisite Old Plains Grenache.  See how the streets are designed to eat the vineyard the minute Frank loses his stubborn resolve? The Marion vines survive, too (below) That's Patritti winemaker James Mungell picking the tricky 2011 vintage.  This vineyard should be a walled, sacred site, secured forever.

The Cadenzia project, which started in McLaren Vale with the 2003 vintage, was partly an exercise in encouraging wiser blending, whilst putting McLaren Vale Grenache back on the pedestal it held in Ward’s day.  In 2002, McLaren Vale Grenache was selling for around $500 to $800 a tonne, but much of the old vine stuff was in danger of being uprooted.  Now Vales Grenache is in short supply at $2500+ per tonne, and is increasingly made without blending. 

People are learning to make it again.


Which frees up all the Mourvèdre that had been slopped by rote into the GSM blends, giving newly-interested winemakers a chance to learn better respect for this other stalwart, which has also been with us since those first whiteys hit.  To help make it look contemporary, they’re even changing back to its old name, Mataro, which of course ends in the correct letter for these fickle times.

And this, in turn, frees up all the second and third-rate Shiraz that was losing itself, often with the dreaded Viognier, in the GSM tank.  Which inevitably led to the necessity of inventing a Cadenzia-like project to move Shiraz, so suddenly we got Scarce Earths Shiraz at $100 a pop.

Maybe they should have just gone for Shirazo and Viognio.

But that’s off the track.  I’m having a great International Grenache Day as I tap away here, enjoying blends from Tim Smith, Gilligan and Dowie-Doole, and bouncing beaut straights from Wirra Wirra and Olivers Taranga off the one from the winery outside my window, Yangarra.  That’s the one Robert Parker’s Australian envoy, Lisa Perrotti-Brown, advised the world would “blow your mind” the other day on Twitter.  Unlike the big, overblown alcoholic models, this 2011’s only 13.5% alcohol, and it’s been made like a Pinot.

That’s the next step. Even more respect.  


Grenache photographed by David Burnett.

POEMS OF ORKNEY TERROIR

To hear Margaret Tait, this remarkable Orca poet, scientist and film-maker read some of the back labels of her life, click on her image. Deep thanks to the Scottish Poetry Library for giving us this essential work! Libraries should do a lot more poetry broadcasting.

18 September 2012

2003: TOO HOT FOR DOM PERIGNON?

Dom Perignon 2003 ... another vintage made dark by the hot sun ... Do we drink it now, lay it down, or wait forty years for Dom to disgorge it for release in the exquisitely expensive Å’nothèque series? ... Will another 50 years of cool dark dungeon give it the distinction of other hot vintages preferred by Dom chef de cave, the great Richard Geoffroy? Could Geoffroy's sophisticated dark campaign possibly have been influenced by Killey-Withy's old Cooper's Stout commercials starring the late Maxwell Cooper wearing his Blues Bros shades? Remember?  The dark side of the family?  Impossible. It's funny to think about, however, given the enormous volumes, the extreme prices, and high camp extravagance routinely flaunted by the royals of Champagne ...


One Cool Night On The Dom
Reaching Into Hot Years Past
To Light Up Geoffroy's Dark 03
by PHILIP WHITE

I’m a sicko for the company of Richard Geoffroy.  Particularly since he contentiously chose to release a vintage Dom Perignon from 2003, a year which he quaintly calls “solar”.  I want to stare into his eyes across a table so small he can feel the urgency in my knees as I ask, like deadpan, “Richard, why?”

Ol Sol had a fair bit to do with France in the vintage of 2003.  Nearly 15,000 people perished in the heat.  On my birthday, September 3rd, the last 57 unclaimed bodies from Paris were buried. As far as birthday presents go, that was on a par with World War II commencing on the same date. By the time that dark day rolled round again in 2003, I presumed the vintage, in Champagne at least, would be frites.


In this hellfire, HRH Richard, (and please forgive Harcourt's photoshopping) the Royal Peace of God, which is pretty much what his old Vikin name means, made a wine that was suddenly 60% Pinot noir, and then went in to the government or somewhere and registered the colour “dark”.  

Trademarked it with Pantone.  Dark.  Fair dinkum.  Mr. Maxwell Cooper would never think of that.

I know he means dark of mood, not colour, but to me, Dom is about light.  Bright white light.  Like the ’02: Chardonnay at its crunchiest.  You can even buy it with a label that magically illuminates from within.  Pardon my synæsthæsia, but if you want a sound, think Chopin. Aggro, presistent tinkle tinkle, like Waterford crystal hitting the slate floor.  But 2003? Suddenly we’ve got a Pops Pahinui playing the slack key Hawaiian slide.  Or maybe an islander even more corpulent.  Either way, it’s as mellifluent and bold as fresh-thieved leatherwood honey on a real hot day.


So Richard calls it solar, and then dark.

I reckon he has a secret thing with heat, as if he’s been anticipating global warming before anybody even thought of the term.  I dug out my notes of a dinner he gave at Tetsuya’s in 2000. Tets had been slaving away with recently disgorged bottles of Dom from 1980, ’85, ’73, ’64 and ’59, working out which ingenious flavours he could fathom in accompaniment.  Tough life.

1964 was a hot year in Champagne.  Thanks to Ol Sol, the crop was already the biggest in history when it rained in late August.  That swelled them little babies so plump the jaundiced were saying this was no longer Champagne, whilst the really thirsty leered and dribbled with anticipation.

Tets had nearly worked out what to eat with that ’64.  He presented tiny serves of tataki of wild venison with rosemary and honey vinaigrette. Braised oxtail with Western Australian marron.  Roasted breast of duck with confit potato, sautéed shallots and ginger.  Roasted breast of squab with ragout of mushrooms. And a slow-cooked pigs cheek with gobo. 

Not to mention the seasonal winter fruits.

My notes?
“You could call this tired.  No primary fruit, but maybe a country drawer full of cheese. Just a little pineapple; cloves on an apple tart.  Short, slightly dirty to look at, spermy/carob to sniff; flat aftertaste. Then acid/astringent aftertaste rebound, long and teasing.  Pity.  Great with the foie gras! 84 points.”

Somehow my glass got a mixed pour on the first lap, and I tracked down the better bottle.

“2nd bottle much better.  Smoother, longer, fresher.  Pity they mixed the two.  Pretty good with the salt beef. 89+.”

Richard looked me in the eye.  “The ripest vintage in France,” he swooned.  “The aftertaste!”

The aftertaste of that dinner still haunts me.  It was, what can I say, a seminal evening in my exploration of the relationship between glutamates, great old Champagne and pheromones, which often have no aroma, but are frequently transmitted in parallel with alluring aromas we can detect.  The entire perfume business works on this thesis: creating aromas which titillate because we subconsciously expect to receive a pheromone in parallel.  It’s brilliant cheating; using the placebo idea in the most ingenious manner.  We rarely get the pheromone we expect when we receive that smell, but the anticipatory thrill is already well installed. 

Similarly, the most expensive wines and foods commonly exude aromas which set our pheromone receptors trembling or purring in a fru fru frisson of anticipation.

Simultæneously, the dinner was a kind of Everest expedition around what Richard considered to be some of the loftiest peaks of Dom, playing delicious cadenzas over Tets’s chamber orchestra.

The ’80 got us off.  Pure Chardonnay-dominated Dom, a perfect aromatic reflection of its source, just full of chalk and the smell of the wheatfields on the vast wide open spaces of Champagne. “Fabulous combination of sensual fullness with heaps of refreshing mineral acidity … it rolls on and on and on … 94+”


Chopin, see?

We spoke a lot of Richard’s use of the word mineral during this expedition, and finally seemed to agree that he meant somewhere between chalk, crushed bone china and stainless steel, which suited me.  It is the essential basement, the foundations of all Dom. But I was more fascinated by the flesh such austere bones can support. That ’80 had plenty, and quite ripe it seemed, especially in the counterpoint of oysters in rice vinegar.

This is where we began discussing umami; the natural glutamates of great wine, and their teasing entanglements with our pheromone reception and their powerful involvement in the very way in which we smell and taste. Richard went coy when I asked whether he checked these great old wines for their glutamate content.  


As the complexity of Tetsuya’s amazing food increased through sashimi, scampi, quail eggs, sea slug, truffles, foie gras to aubergine and sweetbreads, it became obvious that one of the greatest pivots of the whole excursion was not so much the primary flavours of these things that counted, but the exquisite umamis that simmered away in the sauces: great aged rice vinegars and soys did the real bell-ringing.

In this line, Richard showed astonishment at my audacity in suggesting the ’85 smelled like a great aged saké, as if rich in umami, but he agreed. It seemed a bit softer than the ’80, was richer and sweaty with smoky flesh but it still balanced on that incredible crisp acidity, and eventually seemed to change aromatic gears completely and whacked us with smells of nutty honeybutter biscuits.  94+.

The magnum ’85 rosé was the most feminine lush.  Here, the austerity of the Pinot took control, its rigid slide-rule acid and extremely fine tannin supporting the lolly shop full of giggling Sunday School teachers upstairs.  I’ll bet they were buying jelly snakes.  But, I noted, “roses and strawberries spoil the house style in a way.” 90.


’73 was the pinnacle. “Rich, but frail, and well into that third stage of development.  Goes absolutely brilliantly with the foie gras dish # 4 (I think with alfalfa).  Honey and toast, but lovely cleavage sweat.  Umami left right and centre. The wine smells fatty.  Susan, my companion across the table, likes it more, but the isovaleric acid story’s a bit over the top for her. Lovely texture and greasy weight. Really soft luxurious heaven, even with white rice and wasabi. 95.”

That IVA reference related to another of the dreamy strings of conversation that hung across our bonny table like gossamer.

The ’64 followed, a little like the depression that hits after the reaching of a brilliant pinnacle, and then, just in time, the ’59:

“Utterly outstanding freshness and vivacity: light green coloured; lovely, pale; fresh pineapple, hazelnuts, candlewax, cantaloupe peel, wood, astonishing freshness and life; no real primary [grape] fruit, but the wine’s elegance and acidity make up and more.  Onions.  Utterly delicious with truffle ice cream.” And then, as it simmered and sulked away, “banana and peach rise with time.  95”

Twin peaks, see.

Funny thing.  ’73 was really hot. And although the autumn fell early in ’59, that was a particularly sunny summer, too.

While the Pinot-dominant ’03 is more like the
64's apple pie than shattered windscreen Chardonnay at its most pristine and austere, I suppose there’s the wafer of a chance that it will sit on a table like Tetsuya’s in fifty years, freshly disgorged, and completely transfix a table of lucky punters. 90++.

I wonder whether they’ll be listening to mellifluous slack-key Hawaiian music, lush with tremolo, or that pretty tinkle of the Chopin.

And, your grace, dear Richard le Roi, while my delving into the past may have answered in part at least, my own initial question about the hottest vintage yet, I’d hate you to think the urgency for that next meeting is diluted in any way, non

Don’t go completely dark on me.