10 July 2017
THE CONQUEST OF GAUL
There's an aroma like dry burlap or hessian, like the
memory of the old hemp superphosphate sacks stacked in the tractor shed. It's
an acrid, sharp aroma that prickles the nostrils. I don't know its biochemistry
but I imagine it's somewhere in those geraniol/methoxypyrazine terpenes spectra of the
nightshade leaves and usually when I find it in white wine it indicates one
I'll really like.
Like this Domaine
Olivier Pithon Cuvée Laïs Blanc Côtes Catalanes 2015 ($25; 12.5% alcohol; cork) which was made in the schist rock bit of the
Languedoc-Roussillon region of Mediterranean France, from where the early white settlers of
Australia found many cuttings likely to suit their new colony in the south.
Just
coincidentally, this wine's made from three of those key varieties that never
really made it to Oz, or survived to any degree if indeed they were brought
here: Maccabeu (or Macabeo), and the Grenaches, gris and blanc.
I go on a lot
about mentors, but that's what they're for. One I miss painfully is
Gerard Jaboulet, the Hermitage wineman who first taught me the wines of the
south. He was bemused at our obsession with Marsanne and much
preferred the pale forms of Grenache in his blends. So here you have that
hessian edge, over a bowl of gooseberry and cucumber. There's a hint of citrus
rind and fresh ginger, all savoury accoutrements most unlike the pomes, citrus
and stone fruit characters we have expected of Austral whites.
Here's
where that hessian binds with the smell of the Canteloupe skin, which leads to
the melons: Casaba, Honeydew, Persian and Musk. In the mouth department we find
hints of the drier pears, but that's about as close as we get to any of the normally-expected
bits of your major Ockers blanc. The texture is only modestly viscous, but
gentle, with neat firm acidity.
So, food? I think I might just take this down
the beach. It'd be rock'n'roll with any of the required seafood ingredients in
your proper bouillabaisse, grilled or souped. Don't hold the saffron.
Add a crayfish, some bugs, and you have the makings of a Sydney Town bouillabaisse here: John William Lewin's Fish Catch and Dawes Point, from the collection of the Art Gallery of South Australia ... this is thought to be the first oil painting made in Australia
Oakridge 864 Single Block Yarra Valley
Pinot Noir Block 1 Hazeldene 2015 ($78;
14% alcohol; screw cap) has a dusting of that same hessian-in-the-shed
edge, but here it's soused in a syrup of the juice of many rich deep red fruits
and berries, half of which haven't even evolved yet. Also beetroot, its juice and leaves as garnish, as in borscht. It
seems to yearn for that twist of yoghurt or sour cream.
It is, like many of the
wines of David Bicknell, a beautiful thing, and indeed one of the finest Pinots
to cross this desk this year.
What I really love about it, after all that, is
its array of very fine, savoury tannins and the way they wash up those flavours
and the wine's lovely fresh acidity like the waves shoosh up a beach. There's
something deeply reassuring and permanent about it.
I once dined with a negociant
bloke in Beaune. For main course he ordered big white plate covered in tiny
wild forest strawberries, all standing up like blood-red conifers, dusted like
snow with confectioner's sugar. It seemed like a surreal Yuletide post card: five hectares of them in their
world. He ground black pepper over the top of them and ate them noisily with a spoon and a
Drouhin Burgundy that was a little like this masterly Pinot, but not as good.
I've
never seen strawberries like those in Australia. They grow in the bush from
Burgundy to the forêt
de la montagne de Reims. I want to try that trick again, on
location there, with this wine.
In the meantime,
since our hardly-Prime Minister has been over playing in the Élysée
Palace garden with young French President
Emmanuel Macron, I hope like hope is all that he took my advice and told young
MacronDot to wheel out Charles de Gaulle's unused DS21 custom Citroen limo for
a squirt up the Champs then back around to the Australian Embassy for a bit of
circle work and a few of these ... I've never really seen a Pinot like this in France.
While this beautiful one-off hand-built Citroen was infamous for the tiny space it offered the driver - all the rooms were in the back - it was said the driver would still get home with the Citroen front-wheel drive pawing the cobbles even if everything behind his seat was blown away. I fantasised about this car with Henri Paul in Willi's. We couldn't find it.
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