Time
for a look at what our French friends have been doing in their big Orlando/Rowland Flat Barossa
winery: Pernod-Ricard is unusual in that it hangs on vast arms still extending
into every shelf of the international liqueur, wines and spirits markets when
other big operators are divesting themselves of such diverse approaches to the
business, preferring to specialise.
In which case this outfit's an interesting one
for the business writers to watch.
Different tribe of stockholders, the Pernod and Ricard families. Pastis people. Not really wine people.
Which is not what we're doing here, like watching business: it's product
we're discussing now.
First, to fill the gap in the box with the five Barossa
signature wines they included the Jacob's Creek Reserve Adelaide Hills
Sauvignon Blanc 2016 ($18; 12.6% alcohol; screw cap) which one must presume is
a sort of average of what the Adelaide Hills does with this strange,
highly-popular grape. It's perfumed and grassy in a dry everlasting flower
sort of way, then one gets a whiff of fresh oxalis, like soursob or rhubarb.
It's very simple to drink. In fact, it's simply very simple all round. This is
the sort of wine I can imagine a backsliding Mormon missionary starting on. I
reckon I've seen Kevin Foley drinking it at an art gallery somewhere; can't
accurately recall. The maker recommends you drink it with garlic prawns or
char-grilled squid. It would also perfectly accompany ham and pineapple pizza.
Closer
to the spirit of the Barossa is: Jacob's Creek Barossa Signature Riesling 2016
($20; 11.5% alcohol; screw cap) which reminds me of the esteemed Yalumba Signature
Series line of fine reds which has been going for many decades. The price
indicates that to the French a signature is of higher quality than a reserve. Jeez
language difficulties are a genuine fucker to all of us, eh?!?
Given the promo
Orlando/JC/P-R/PR has sucked from Riesling over fifty or so years, one would
expect this wine to rock. The P-R PR folk call it "a bright, approachable
modern Riesling" with a "flowery" nose.
It does have a bit more
prickle than the Savvy-B, but the flavours are so smooth and simple I'm left
wondering what has happened to the genetics of Barossa Riesling to make it
"modern". Sugar's hardly modern. After all that, which isn't too that in any way, what this wine does display to great effect is acid.
Jacob's
Creek Barossa Signature Chardonnay 2016 ($20; 12.3% alcohol; screw cap) is also
recommended for being approachable and modern. It smells of oak. There's a timid
dollop of unction and then a finish. On the modern approachability scale it
seems to fit quite well with the other two whites.
Jacob's Creek Barossa
Signature Shiraz 2015 ($20; 14.5% alcohol; screw cap) smells along the lines of
a moody, smokehouse sort of Barossa red with a twist of blacksmith beside the
blackberries and beneath the spreading mulberry. Which is not to say it's
over-loaded with tradition or it's too heritagey. To drink, it's cheeky, juicy, youthfully simple and
sweet. But no mention of "modern" or "approachable" in the
blurb. Instead, it's "essence" and "classic." I reckon they coulda at least stretched it to "heritagey."
Jacob's Creek
Barossa Signature Cabernet Sauvignon 2015 ($20; 14.6% alcohol; screw cap)
smells a bit like the Signature Shiraz but with less obvious fruit. Remove the
mulberries for starters; add blackberry leaf. The flavours could well accompany
anything without intruding.
Jacob's Creek Reserve Limestone Coast Shiraz 2015 ($18;
14.5% alcohol; screw cap) Like the other reds, this wine is not recommended by its maker for
being approachable or modern. Neither is it Barossa fruit, which means there
are only four Barossa Signatures. But the maker recommends it with wagyu beef.
Wagyu beef. Talk about flexible. So you go and get your $6 million shred of
wagyu beef and have it with an $18 red. Before discount. That seems pretty
modern to me.
Without deterring the French, who obviously know all about wine-making, I
remind readers of true bargain wines made by local families, like those I constantly recommend from the
likes of Torzi-Matthews/Longhop/Old Plains and last week's Paracombe.
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