Unlocking Grenache in its
heartland
by PHILIP WHITE
"I understand why our
region is dominated by Shiraz," says Wine Research Institute scientist and
McLaren Vale/Dodgy Bros. winemaker Wes Pearson. "Grows great in this
region; reliable, robust resistance to disease pressure; an easy market to sell
your grapes. No brainer. But Grenache is for those growers/winemakers who like
to be challenged. Along with risk comes reward, and in my opinion the rewards
in McLaren Vale can be profound."
The
Dodgy Brothers: l-r Wes Pearson, Peter Somerville and Peter Bolte
A few months ago I embarked on a bigger
task than the usual column: frustrated at the ever-increasing number of
Australian winemakers and indeed entire wine regions laying claim to the
reinvention of Grenache, I thought I'd attempt to nail the yarn once and for
all, starting in McLaren Vale, the region in which I choose to live, and
perhaps the region that makes the most of its unique forms of Grenache.
Part of
my procedure was asking a few McLaren Vale Grenache producers to explain it
from their own point of view.
"Whenever I’m talking about Grenache with
the uninitiated I always explain McLaren Vale's fascination with the variety by
pointing out its sensitivity to any and all inputs," Pearson says. "That
starts in the vineyard: where it’s planted, row orientation, soil composition,
geology, rainfall, pruning regime, et cetera."
Simple, see?
"The
variety has some challenges," agrees Hardy's Tintara winemaker Paul
Carpenter. "It is generally a variety that needs its youth thrashed out of
it, to give it some vine age to kill off its propensity to throw big berries
and crops. It can however be managed in the right hands to make very good wines
from young vineyards but requires huge amounts of attention to detail. So in
general it's old vine and it is a South Australian thing."
Paul Carpenter at the annual McLaren Vale geologies tasting photo©Philip White
Carps also agrees
with Pearson about the variety's capacity to reflect its particular site:
"Viticulturally its a vine that truly reflects its environment," he
says. "On the heavier soils it's more vigorous and requires a fair degree
of input to get to the desired quality where as on some of the tougher sites it
really does it itself and self regulates crop level and berry size due to the
challenges of site."
Bring in Mike Farmilo, veteran whom I first met
making damn fine fino sherry for Tom Angove up the River. That was a whole
lifetime ago; Mike has long esconced himself in McLaren Vale where he now works
as a consultant, making wines like Sue Trott's formidable Five Geese at the top
of Blewett Springs. Mike knows and loves the fruit of the Fleurieu; all its
nooks and crannies. His theories about the way Grenache reflects location both
informs and encapsulate the thoughts of many locals.
Put very generally McLaren
Vale Grenache grows mainly in the region's younger geologies: layers deposited
in the embayment within the last sixty million years. Even more generally,
these are of two major types: tight, dense clays, washed down in the last few
million years across the looser riverine Maslin Sands put down 34-56 million
years ago.
Profile behind Tim Geddes' Seldom Inn winery at the bottom (southern) end of Blewett Springs: organic stuff on top with calcrete, then wind-blown æolian sand, then a layer of alluvial ironstone pellets, and dense ferruginous clay at the bottom. If you went further down, you'd hit solid slabs of ironstone on top of the looser Maslin Sand, which covers the whole of the Embayment floor ... photo ©Philip White
When it's not covered in clay or other sand, like the very recent
windblown æolian stuff, which is much finer, this coarse Maslin sand has converted with
oxidation to ironstone, which you can see here:
The rocks surrounding and underlying this recent Embayment are between 500 million and 1.6 billion years of age.
To complicate
matters further, these riverine Maslin sands, washed down as the Mount
Lofty/Flinders Ranges wore away, are often capped by loose, wind-blown, or
æolian sands, put there in the last few thousand years. This is particularly so in the unique terroir
of the gullies of Blewett Springs and the more rolling uplands toward
Kangarilla at the vignoble's north-eastern extreme, where 'The Vales' becomes 'The
Hills.'
Southerly vista from near Sue Trott's Five Geese Vineyards, looking across the Blewett Springs gullies toward the Willunga Escarpment ... note the æolian sand in the foreground, blown in during the last few thousand years ... go down a few metres and you hit the coarser, ferruginous Maslin Sands, 34-56 million years older ... photo ©Philip White
Bring in Mike Farmilo, veteran whom I first met
making damn fine fino sherry for Tom Angove up the River. That was a whole
lifetime ago; Mike has long esconced himself in McLaren Vale where he now works
as a consultant, making wines like Sue Trott's formidable Five Geese at the top
of Blewett Springs. Mike knows and loves the fruit of the Fleurieu; all its
nooks and crannies. His theories about the way Grenache reflects location both
informs and encapsulate the thoughts of many locals.
"In contrast to the
more masculine central McLaren Vale Grenache," Mike Farmilo explains
"which is more suited to Grenache Shiraz Mataro in my opinion, Blewitt
Springs Grenache has a floral prettiness: rose petals, with dried herb
complexity, spice, and even cinnamon and wormwood. In some years, it does have
some of the ripe, rich raspberry character of central McLaren Vale but
generally it shows an elegance and restrained ripeness. In cooler years you can
see spice and white pepper."
Emmanuelle and Toby Bekkers with Tourism and Agriculture Minister Leon Bignell at the new Bekkers winery and tasting room ... photo ©Philip White
Enter the Bekkers, Toby
and Emmanuelle, both winemakers. Toby is also a viticulture consultant.
"A valley floor parcel from the gravels
and clays of the Christies Beach Formation contributes density, structure and
framework to our Grenache, while Blewitt Springs and Kangarilla - both Maslin
Sands - fruit allows us some latitude to fine-tune the style," Toby says.
"The lighter weight and pretty aromatics of these later ripening parcels
compliment our more robust valley floor parcel."
While perhaps reluctant
to link Grenache flavour directly to geology - he suspects altitude is more
significant - Bekkers is happy to use the old geological mappers' trick of
adopting native flora as an above-ground indicator of geology and thence
flavour.
"One of my interests is looking at remnant native vegetation and
its relationship to site - particularly elevation and soil type," he says.
"Take Blewett Springs: vegetation: Pinkgum, Yakka, Banksia. Indicators of
deep bleached sand over orange clay. Combined with some elevation, this results
in really perfumed, slightly lighter bodied Grenache and Shiraz ...
"Compared to Seaview?
Vegetation: Mallee Box eucalypt, Casuarina, Wattle. Indicators of shallow red
or grey loam over rock, calcrete and clay. Restricts access to moisture. Lower
elevation and closer to coast means warmer and earlier ripening. Results in
darker-fruited Grenache/Shiraz and enhanced concentration. Tannin profile is
more intense/robust.
"In our case we use some of the denser material as
the core of the wine and then compliment it with some aromatic punch from
Blewitt Springs or Clarendon."
So that's a broad-brush summary of the
sources in one district alone. Within McLaren Vale, Grenache, we seem to agree,
is particularly deft at refecting the flavours of its source. Yet we've barely
mentioned winemaking techniques; the recipes.
Start with the crusty Farmilo: "It
has been inspiring to see some of the young winemakers championing Grenache and
introducing techniques such as whole bunch fermentation and carbonic
maceration. Blewitt Springs Grenache, because of the more elegant and
distinctive fruit character, responds so well to these techniques, adding more
weight and complexity to fruit which is already interesting and producing
intriguing wines that you love to sniff, finding more characters all the time
as they open up."
Paul Carpenter thinks that Grenache, "in the winery,
is a variety that takes all the tricks you can throw at it. Or you can be incredibly
simple in the techniques used. I am employed at Hardys but before this I always
admired the pretty, somewhat elegant styles that came out of Tintara but also
really respect the styles of Yalumba. There's a wave of new producers making
these more feminine styles that I personally like."
If there's a chance of
rounding up this very brief introduction to what is already a long and confounding
tale, I reckon we'll go back to the scientist for his winemaking secret. "Once
it gets to the winery?" Wes Pearson marvels, likening the possibilities of
this bit to the complexities of terroir, "Same thing: crushed or whole
bunches; stems or destemmed; chosen harvest
ripeness; pre- and post-ferment maceration techniques; topping regime; oxygen
ingress, et cetera. What all this sensitivity leads to is the holy grail for a
lot of winemakers: a wine that can very effectively express the place that it
came from."
There is much of this yarn yet to spin. Watch this space.
The author tasting McLaren Vale Grenache in the Eileen Hardy room at Tintara ... thanks to Keith Todd and his estimable crew for permitting me the use of this beautiful tasting room ... of course the wines were first tasted blind in this two-day exercise ... I shall be adding much to this story over the next weeks, including tasting notes of the wines which caught my favour ... keep an eye out for updates by subscribing at the bottom of this scroll.
2 comments:
Fascinating! In Provence there is a gorowing interest in linking Grenache and terroir for rosé. Has anyone looked at terroir+Grenache+rose in the McLaren Vale. Vested interest here as writing a book on rose and would love to know if anyone is looking at this seriously
Thanks for your interest Liz.
For years a lot of McLaren Vale's Grenache went into cheap rosé. Most of it was simple raspberry stuff and often made fairly sweet. Recently, however, with a new wave of much more serious wine being made, the true value of the variety as a proper red wine has far outweighed that pink useage, which is now mainly considered a waste.
The Grenache vineyards that produce fruit of low complexity are still used for good rosé by a few makers, but they are few.
Half an hour ago, I tasted a perfect ferment of Carignan/Cinsault rosé from baby bush vines. While that'll be a delightfully crunchy and fine wine when finished, those vines too will be used for more serious red once their roots get better established and their berries have more complex flavours.
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