Good honest labelling on a bloody beautiful beer: an ale for Christmas from Goodieson
Micro-sudsters lack lingo skills:
craftisans all nomencluttered up
Go get a fair dinkum wordsmith!
by PHILIP WHITE
Bacchus only knows how
many so-called 'craft' breweries Australia now has. There seems to be a new one
each week.
Like far too much of our contemporary culture, Australia meekly - or adoringly - adopted the term 'craft beer' from the USA. It sounds
kinda nuts-and-berries, but to me always has connotation of craftiness, just as
the equivalent 'artisan' nomenclature first adopted
by small USA winemakers, then Australian, has a history of artifice, an
artificer being a craftsman who copies and mass-produces cheaper versions of
much greater and famous works of art, like those horrid cast concrete fake
Greco-Roman statues that breed in garden supply shops.
Not a drop spilt: Wilma McLean does the traditional Barossa Tops mettwurst tango on the occasion of her birthday in 2009 ... in response to the advent of the Barossa Young Artisan winemakers' movement, Big Bob McLean (right), with Peter Scholz of the Willows, and Charlie Melton, responded with the Old Fartisans appellation ... photo: Milton Wordley
Rather than the
implications of ivy-hung stone buildings with hippies inside, I find myself
feeling much more comfort in a little brewery that shows pride in its science,
as there's a lot more science involved in making a good beer than, say, a good
red wine. A very fine example of this is the Goodieson's brewery in McLaren Vale.
The first wave of latter-day
indie brewers in Oz was kicked off by discontented Swan brewer Phil Sexton, with his impressive Sail and Anchor business
in Fremantle. This soon morphed into the Matilda Bay outfit thirty years ago,
buoyed on by the many thousands who arrived there to watch Bondy win the
America's Cup. I knew Sexton was bound for success when I first stayed in his
exciting new-wave/old feeling Freo pub, and wobbled down for a brekky bevvy to
find none other than Mr Maxwell Cooper nudging the rubbing strakes while he
nursed a pint with his good arm. Maxwell wore a very big grin.
"Whitey,
I'm froffing over already," he gurgled in delight. We did not discuss the
boat races.
Max is sadly deceased, but
his family's Coopers Brewery is now the biggest Australian-owned brewery.
After about fifteen years,
through takeover of the best and other incidentals like, er hopeless and
inconsistent brewing leading to most of the first wave of little indies going
broke, that boom dried pretty much right out.
Now, it's back on, bigger,
more prolific, and to a large extent, better.
Two enormous sudsmeisters
make most of 'Australia's' beer. Between them, Carlton United Breweries, owned
by the USA firm SAB Miller, and Lion Nathan, the property of the Japanese Kirin
Holdings Company Ltd., supply around 90 per cent of Australia's brew.
But nibbling away at that
figure is burgeoning a new wave of frothmongers. There were 78 exhibitors at
last year's Craft Beer Awards, presenting 282 products. I'm sure both numbers
will increase this year.
It has suddenly become
essential for wine regions to have their own little flocks of locally-made
beers, best exemplified in South Australia by the likes of the Clare Valley Brewing Company of Ben Jeanneret and
Craig Harnett. with its excellent sales and
tasting room in the main street of Auburn. As with Ben's Jeanneret wines, the
quality is triffick.
The Barossa Brewing
Company Darryl Trinney founded in Greenock is a serious sudsville; there's the
Bierhaus in Lobethal, and Grumpy's at Verdun, near Hahndorf. Hahndorf also has
Gulf Brewery; Mt Barker has Prancing Pony.
McLaren Vale has Vale Ale,
some of which is actually made there in the Vale, and the brilliant Goodieson's
on Sand Road, which makes all its delicious range in their neat and efficient brewery
and tasting area there on the creek.
These beers really rock. And Dan Wright
runs his Swell Brewing Company in conjunction with Oliver's Taranga.
Because of the gross
population difference, it seems unlikely that Australia's independent small
breweries will ever hit the numbers booming in the USA, which now has more than
3000 littlies. But there, as in Australia, the two big guys, Anheuser-Busch
(Budweiser) and MillerCoors still make eight out of every ten beers sunk in the
States.
When I began writing about
wine thirty-five years ago, my desk sported a little box of filing cards. There
were, I seem to recall, 264 of them, one for each winery in the country. Now
there are more than 2,700 wineries. Especially if they can keep their quality
high and consistent, I expect the breweries to follow suit.
Which leads to a problem
which fascinates the writing side of my brain as much as the more scientific
marketing side. In the USA, lawyers like Candace Moon, the craft beer attourney,
is having a field day sorting out the names these little guys adopt for their
product. Being brewers, not marketing writers or indeed lawyers, they've run out
of names for their products, and seem inextricably locked in constant legal
battles over the names they choose for their products.
Put simply, it's very,
very repetitive.
"There are only so many words and names that make sense with beer,
so it's not surprising that many people will come up with the same ideas,"
Moon told the USA blogger, The Salt. There is, for example, a rush to
use the name Bitter End, a term borrowed from the nautical world: it's the very
end of a sheet, anchor chain or mooring hawser.
One may remove some of the bitterness from the end of a line with a monkey's fist. This one, with an eye-splice, was tied by London yacht's chandler Arthur Beale
If a sailor must run the line out to
its bitter end, that sailor, and the vessel, is in dire trouble, leaving me
wondering how many of those brewers bothered to check the origins of the term
in a marine dictionary, or indeed, the Oxford, in the first place.
The literary wino will not be surprised to read this: look on the
shelves of a major liquor barn and find the thousands of half-funny and half
confounding brand names our winemakers or their dodgy marketers have thought
up. As a professional who swims in this murky linguistic ocean, I can't
possibly remember most of them.
Why would I? They're mainly forgettable.
The first registered trade mark came late in the piece, in 1875, and
guess what? It was a brewery. The British Bass came up with its bold red
equilateral triangle, with a racy Bass in Coca-Cola-like cursive below the
mark.
But Mr Bass hadn't copied that Coke script. Ten years later, the USA accountant Frank Mason Robinson came up with the actual Coca-Cola
logo, claiming it matched the popular hand-written script of the day. It
certainly matched the Bass script.
In wine, as in these new beers, every obvious brand name seems to have
been taken. All the connected puns, similes and twisted metaphors are
exhausted, and the lawyers are having a feast at the expense of the drinker. We
see repetitions, and stutters, and constant adjustments made when rivals
complain about the theft of intellectual property.
The marketers have been through every dictionary. Every likely word is
taken. Same with the names of humans: the bastards have been through every phone book on Earth. Think of how many industries, from paint to paper, lay claim to my family moniker.
I have one suggestion. There are people called writers who come in good
and bad appellations, and all points in between. Some of these, the best of
them, are capable of devising names by their invention of brand new words, as
we most obviously see in Coca-Cola, which seems to have worked. Creators of new
products may save themselves a great deal of lawyer money if they first engage
a crack writer to conjure a brand new word for them. Like one which is not in
any dictionary.
That way, we may be able to find some fertile ground, between the likes
of Black Slut, which Wayne Thomas dearly wanted to use on his sparkling Shiraz,
but was rightly refused, and the Bitter End, that last handful of viable rope
to slip through the sailor's hands before disaster strikes.
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