The Hill of Grace vineyard and Gnadenberg Lutheran church ... photo Milton Wordley
It was strange to see, so close to April Fool's Day, two
of the grand old families of South Australian wine reaching into their past for
promotion this past week.
Both sensibly used the digital ether of the social media
to promote their promotions.
The first one to catch my eye, or ear, was the Henschke
family's April 1 launch of Hill of Grace ($650), which my former boss at The Advertiser, Tony Love, awarded 99
points. He reported that the Henschkes had announced that each year now, upon its
release, they would commission a piece of poetry to celebrate the wine and its
day.
Excitement! I had the tingles thinking that the likes of
Michael Dransfield,
had he survived, might be able to repeat truly grand works like the poem he
wrote once for ANZAC Day, having just demolished a bottle of old Hunter Shiraz, amongst other comestibles,
way back when we were boys. But, perhaps reflecting on their Hill of Grace market,
for this first year the Henschkes chose Rupert McCall, who has written what I'd
call, well, not doggerel, but a rather posh campfire ballad.
It's certainly a long way from contemporary Australian poetry.
Having listened harder, I couldn't help imagining
the congregation of the Gnadenberg (Hill of Grace) Zion church singing McCall's work
to the tune of, say, Martin Luther's Ein neues Lied wir heben an.
... to the drum of
the band
they were building
their brand
before Cyril had
destiny find him ...
This last line is perhaps the most delicate of the piece, given the noted manner in which poor Cyril's destiny saw him placed in a rather inconspicuous corner of that Gnadenberg Zion Lutheran Church cemetery.
Then I found Chester Osborn's Youtube clip d'Arenberg - The Year Of The Horse. This
shows a couple of hired Clydesdales hauling a dray through an unkempt mess of a
vineyard which Chester says is the oldest Grenache in McLaren Vale.
"We haven't put any tractors in there at all, for
the whole of the season," he tells camera. He mentions "the low CO2
output of horses" with no reference to their methane. One wonders what his
tractor and machinery-loving father, d'Arry, would really think of Chester suggesting
that "it's cheaper than hiring tractors and trailers and drivers,"
and that the trial may lead to the Osborns having to sell a few tractors.
With d'Arenberg's 2,500-5,000 tonne crush,
producing between a quarter-of-a-million and half-a-million cases of wine each
year, one can only imagine just how many tractors Chester will need to sell.
And whether d'Arry will get the job of stablehand for the cavalry of
Clydesdales required. Max Schubert started out as a stable boy.
d'Arry and Chester Osborn have the wine press for lunch, July 2013 ... photo Philip White
.
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