16 March 2017
APOLOGIES, BUT DRINKSTER'S RESTING
The DRINKSTER is mainly confined to the royal cot for awhile, after a nasty malfunction in the dark gizzard. Saved by Flinders Medical Center's remarkable Intensive Care Unit. Recuperating well, but no writing for awhile here or on InDaily. Be back soon with a real long report on McLaren Vale Grenache, its history, its nature and its current state.
After the smooth professional assistance of the Jennifer Lynch at the McLaren Vale Grape Wine and Tourism Association and the cool crew at Hardy's Tintara, I tasted over 100 of them, including Grenache-dominant blends, a few weeks back in the luxurious Eileen Hardy Room at Tintara. I'll let you know when it's about to lob; hoping for an initial summary on Tuesday's InDaily. We'll see.
After the smooth professional assistance of the Jennifer Lynch at the McLaren Vale Grape Wine and Tourism Association and the cool crew at Hardy's Tintara, I tasted over 100 of them, including Grenache-dominant blends, a few weeks back in the luxurious Eileen Hardy Room at Tintara. I'll let you know when it's about to lob; hoping for an initial summary on Tuesday's InDaily. We'll see.
09 March 2017
ASHTON HILLS: TWO LUSH BEAUTIES
Three into two does go: Stephen George, Wirra Wirra MD Andrew Kay and winemaker Paul Smith at Ashton Hills, celebratng their new union last year ... photo©Philip
White
.
By the time we got to Woodstock we were half a million strong: Marching to stop the Vietnam war. Sometimes we did it twice a week. It got real violent when the cops went nuts. But it worked. That's the fierce Peta, smack dab in the middle ... photo©Leo Davis
.
Hills music of harmony and flesh
by PHILIP WHITE
Sitting here with Double J's
Joni Mitchell tribute hanging in the air like wondrous translucent curtains, recalling
her music draped over the years through which I watched Stephen George and Peta
Van Rood build their brave Ashton Hills wine business on a chill piny ridge across
the valley from Mount Lofty ... damn they were lean, sweet and desperate years.
How we argued and laughed across those tables!
Peta died eight quick
years ago. Steve has a new partner and a new life and is content now to work
there as a vineyard manager for Wirra Wirra since selling them the outfit in
2015.
He was tired of being a
businessman.
All these things well up
as I take deep draughts of the new Ashton
Hills Estate Riesling 2016 ($30; 13%
alcohol; screw cap), delighted to see the label credits Steve as
co-winemaker with Wirra's Paul Smith. They are similarly sensitive and
determined souls.
Steve says it's rare that
the vineyard doesn't get a little botrytis, which is part of the explanation
for his Riesling being much more Germanic than those austere ones from the
Eden, Clare and Polish Valleys. You'd be one tough bastard to take deep draughts of those.
They're too crunchy for big gulps.
I mean, sure, this is a dry wine with a fine acid chassis, but it's plusher, lusher and more creamy than those and dammit it feels like the lavish swathes of harmony and unison Joni would overlay on her tracks, using her own voice, often just to guide the guitar or horn players.
Because she can't read music or write charts, she'd sing all the parts she wanted the other musicians to play and have somebody transcribe them. Then, at the last minute, she'd often leave some of those guide tracks of her voices in there with the ensemble work the musos played from the charts.
They're too crunchy for big gulps.
I mean, sure, this is a dry wine with a fine acid chassis, but it's plusher, lusher and more creamy than those and dammit it feels like the lavish swathes of harmony and unison Joni would overlay on her tracks, using her own voice, often just to guide the guitar or horn players.
Because she can't read music or write charts, she'd sing all the parts she wanted the other musicians to play and have somebody transcribe them. Then, at the last minute, she'd often leave some of those guide tracks of her voices in there with the ensemble work the musos played from the charts.
If this wine is any guide
to what we can expect from Messrs George and Smith, it seems we'll be singing
Ashton Rieslings as smartly-formed and performed as those layers of Ms
Mitchell's voice.
I could drink a case of
you.
And I could drink a case
or two, too, of the similarly plush and harmonious Ashton Hills Reserve Pinot Noir 2015 ($70; 14.5% alcohol; screw cap), which is all Stephen's work. Not
to push Joni's Blue album too hard -
that's impossible - blue is the colour here. Deep, deep blue.
Put very simply, this is
the best Pinot I've seen from South Australia. Maybe from the whole big ol'
country. I don't think Tassie has produced one this provocative and comforting, yet that's where all the other Pinophiles seem to be headed. You need more than cold
weather to make wines like this. You need passion and persistence and decades
and money.
Since breaking ground
there in 1982, Stephen has tried at least 25 clones of Pinot, gradually
discarding and replacing the duds. Now he's down to his five favourites.
From the first breath, this
is a deep and mellow dream, perfectly seamless and fleshy beneath its gently
piquant oak. I could go on about all manner of fruits but that would only deflect
the mind from the gloriously sensual wallow of a thing it is.
I've long thought that
Pinot is like Riesling, with its acid at the wheel and whatever layers of
cuddle the back seat, or the vineyard affords. With these two wines, I rest my
case. They make the sublime pair.
Peta would love it. I love
it. You'll love it. Promise. Joni'd love it.
By the time we got to Woodstock we were half a million strong: Marching to stop the Vietnam war. Sometimes we did it twice a week. It got real violent when the cops went nuts. But it worked. That's the fierce Peta, smack dab in the middle ... photo©Leo Davis
VINTAGE '17: FIRST GRAPES ARRIVE
Fruit from the new vintage began arriving at Yangarra Estate today. The crew usually starts the year processing grapes for other McLaren Vale folks where ripening occurs earlier than on Yangarra's own vineyards. This is Corrina Wright's Olivers' Taranga Mencia coming out of the basket press. Mencia's from north-western Spain originally. Until her newish plantings establish deeper roots, Corrina picks it early each year and makes rosé. The livid pink sample I tried from the fermenter this morning tasted just like watermelon. Its texture was surprisingly viscous for such early picked fruit, indicating the finished wine will better handle the sort of extreme chill too many restaurants inflict on pinks and whites.
Oliver's Taranga Shiraz coming through the grape-sorting machine, which removes everything other than your actual berries from the mix. In the past, all sorts of greeblies and vegetation went into the ferments. These clean stalks will go off to the mulch heap ...
... while these babies will go into the fermenter:
Winemaker Charlie Seppelt checking the temperature of a fermenter of Doug Govan's Rudderless Malbec. Man it smelt so sweet and floral!
Meanwhile, the main fermenting hall awaits the onslaught to come ... rock'n'roll!
all photos©Philip
White
08 March 2017
REDEFINING EXTREME: VINTAGE 2017
baby bush vine Grenache: the berries are beginning to raisin before they're quite ripe and the leaves are already going autumnal ... photo©Philip WhiteThe leaves are turning yellow
by PHILIP WHITE
"Nine mile skid on a
ten mile ride, hot as a pistol but cool inside," The Grateful Dead sang a
mere 45 years ago in He's Gone.
So far, in my neck of the
woods at least, vintage 2017 has been like that.
Now, sick of the jitters, some
vignerons are wishing the whole damn thing was over and gone.
I hear of vineyards in
bits of New Zealand, and odd bits of Australia, like the highish cool of
Canberra, picking fruit that's pretty much ideal. They've started harvest in
the Southern Flinders; Clare and the Barossa will begin to kick in properly
next week. Same in McLaren Vale. If we're lucky.
As predicted here away
back when the bunches had first set, the yields are high right through the
Ranges, making many of the big commercial grape-growers smack their lips:
there's an international shortage of good quality fruit these strange days.
I was at Tintara in
McLaren Vale when winemaker Paul Carpenter quietly announced their first
truckloads had just arrived. Chardonnay. Paul seemed, how you say, a tad
underplussed. The Vales is hardly the best spot for Chardonnay, which
originates in continental Burgundy.
Where it snows.
Not snow but hail in November in the semi-arid Riverland ... photos Steve Nitschke
Carps, like all the others
round here, was more keenly awaiting the ripening of Shiraz, and then Grenache,
varieties originally sourced close to the temperate, maritime Mediterranean coast.
Sunshine-and-lavendar land, like the Fleurieu.
Touch wood. Bacchus knows,
South Australians hardly need reminding of what a long strange trip it's been.
Since the grapes came off
last vintage, and the sheep went in to turn the weeds to fertiliser pellets and
make many fat jumping babies, returning the smart viticulturer an income where
others find themselves writing fat cheques to Big Petrochem for their poison
herbicides, well, since then ...
The summer of '16 was
warm-to-hot, and led to record warmth in autumn. Temperatures were fairly
normal during winter, then came a very cool spring. It's confounding. Like we
had the coolest year overall since 2012, and yet the state's mean mininum was
the seventh warmest on record: 0.73 áµ’C above average. The mean maximum ended up
0.43áµ’C above average, yet we had the coolest days overall since the dreaded
2011 when we had the wettest vintage on record and everything went mouldy with
mildews and botrytis.
Wet? 2016 was Adelaide's
second wettest year since records began.
The Onkaparinga at Clarendon in September: the South Mount Lofty Ranges were full of water ... photo Mick Wordley
Not to mention that
friggin wind. I spent my childhood just below the snowline in the mountains of
east Victoria, but I can remember no winter and spring as utterly, viciously
threatening as that bastard. It was sinister. Overlooking the little matter of
a few torrid blackouts - pylons can be rebuilt in a few quick months - thunderstorms and winds ripped out tens of
thousands of trees, including a huge proportion of our stock of mature, centuries-old
red gums.
One can only wonder what
weather these ranges will see in the few centuries it takes to replace those.
Since then, temperatures
have been close to 'normal' across most of the wine-growing regions, maybe a
tad cooler, which had the vignerons quietly confident.
sunshower at Yangarra ... photo©Philip White
But all that water since
last vintage saw vines everywhere stack on huge amounts of foliage. Too much,
really: out-of-balance vines, with over-the-top ratios of leaf surface to total
juice, often produce wines that taste green and astringent, like leaves and
their petiols, or stalks. Include the machine harvester factor, which
invariably means leaves are picked and go into the hoppers with the fruit, and
this flavour magnifies.
On the other hand, smart
growers were on top of this: hand-plucking or mechanically hedging excess
foliage and shoots, leaving neat hedgerows of vines instead of the more common
sprawling mess that you'd have trouble driving a tractor through.
If you can't get a tractor
in there easily, there's little chance of the odd drying breeze killing off
aggro moulds, meaning you'll need that chequebook again to pay for more
poisonous spray, naïvely hoping the stuff can actually penetrate that forest of
leaf you've let grow.
Sheesh. Who'd be a grape-farmer?
I reported before that the
trellised vineyards around Casa Blanca have all been neatly hedged: the Ironheart Shiraz
across my front fence had three passes of deft leaf-pluckers through before the
bird netting went up a couple of weeks back.
the veils go up on Ironheart ... photo©Philip White
Since the grapes coloured, we've had breezy, warm-to-hot sunny days, and ideally cool nights, often a tad damp with dew or gentle misty rain, slowing everything down. Nice. While some younger players have been saying the vintage is late, they should really be delighted that it's closer to 'normal' or traditional timing, after global warming brought on a string of much earlier crops.
As Peter Gago, Penfolds'
boss winemaker has said after most of the last fifteen vintages, it's another
year when he's had to redefine his meaning of 'extreme.'
Like in the second week of
February, nine sites in this state had their highest temperature on record.
Since then, some of them have recorded their coldest February temperature on
record. It's nuts.
Anyway, as I said, for
those with the vision to spend money on human vine-dressers rather than
petrochemicals, everything looked pretty good. The biggest crisis I could see in
these vineyards was the newly-released model of the calicivirus would be
killing the hares that live here. There are no rabbits, and the hares rarely
damage the vines unless they're starving. Which they're not.
there are many of them living in here but the hares don't do much damage: 1946 High Sands bush vine Grenache ... photo©Philip White
I like having a few hares about: they are gentle, modest beasts. I had a bit of Twitter with local viticulturer Ben Lacey when I complained about the poor things dying from internal bleeding from the calici's cutely-named rabbit haemorrhagic disease, suggesting hares were fairly harmless, gentle critters.
I like having a few hares about: they are gentle, modest beasts. I had a bit of Twitter with local viticulturer Ben Lacey when I complained about the poor things dying from internal bleeding from the calici's cutely-named rabbit haemorrhagic disease, suggesting hares were fairly harmless, gentle critters.
Ben
retorted that in his vineyards they chew irrigation drippers off their lines
and eat the shoots of baby vines as they protrude through the top of their
grow-tubes; I retorted that the worst thing they do round here is eat my
chillies, and I can't blame them for that. Although I'd love to try a properly
jugged one with its belly full of Carolina Reapers.
Ben caught
another Tweet I'd innocently let fly on Saturday. That cursed summer flu had
locked me cowering in the hut for a week, so it was a delight to step outside
to hang my laundered sheets and discover the air was redolent with the heady
sweetness of chamomile flowers. It seemed almost as sensual and swoony as lilac
wine.
"Probably
the smell of all the leaves turning yellow," Ben responded. I shot back a
contrary suggestion that there was no yellowing here, and no chamomile. But
being sufficiently colourblind to find green very tricky, a pang of doubt sent
me back out to check. Yep. The yellowing has begun.
A drive
around the Vales reveals these autumnal hues magnifying daily, well before most
of the fruit properly ripens. It's the same through the whole of the Mount
Lofty Ranges, right up to where they become the Southern Flinders.
So the
current cause for wino angst is this: if the leaves continue to pale, will they
be able to continue the photosynthesis required to get those grapes through to
an ideal condition for picking?
Vintage 2017 could well be
remembered as a ten mile skid on a nine mile ride.
We'll know in a few short
weeks.
storm damage in the Riverland ... photo©Leon Bignell
The Grateful Dead European Tour 1972 album cover art by Stanley Mouse ... we're all bozos on this bus!
07 March 2017
HERE SINCE 1832: TREBBIANO
($25; 12.5% alcohol; screw cap)
Trebbiano. First time I
knowingly encountered it was at Rémy Martin's Blue Pyrenees Estate, a big vineyard those brave French
built in Victoria's chill Pyrenees in the 'sixties to make better brandy than
the blistering Murray Darling Basin generally did.
To the big wine families there, the brandy still tended to be the slops bucket. Real treasures like Angoves Seven Star were a very small part of the whole scene.
To the big wine families there, the brandy still tended to be the slops bucket. Real treasures like Angoves Seven Star were a very small part of the whole scene.
As the Martins did at home in Cognac, they called the variety Ugni
blanc in Victoria.
In those days, such notions of cool climate viticulture were simply
alien. The French exercise was like a Mars colony in the upland bush.
But thanks to Gough Whitlam and then Malcolm Fraser, extreme tax and general political madness buggered the brandy biz, so the Trebbiano they'd planted very well was gradually replaced with reds like Shiraz and Cabernet. And then Merlot. And Chardonnay.
But thanks to Gough Whitlam and then Malcolm Fraser, extreme tax and general political madness buggered the brandy biz, so the Trebbiano they'd planted very well was gradually replaced with reds like Shiraz and Cabernet. And then Merlot. And Chardonnay.
Damn.
When you hang your hooter over this glass you can see why Trebbi was
chosen for brandy production. Even at this modest alcohol, the wine smells a
bit like cognac. It's the sort of
ferny/mossy/sweaty/gamy/linalool reek my grandfather exuded when he'd come in
wearing his woollen grandpa's undershirt after clearing forest bracken in the
Strezlecki Ranges summer. Like while the sweat in the wool was still fresh,
before anything went rancid.
Not to be too gender-specific, sometimes my grandmother smelled like
this, too.
Being of high natural acidity, which this wine has, sure and
persistent, and quite spongy/fluffy texture, which is a contrast right there,
all this may well drown the reader in confusion. But I doubt this will happen
so thoroughly to the drinker, who will quickly realise that of all the newly-imported
white varieties that end in O, this is pretty much the most distinctive.
While winemakers were queuing up waiting for all those imports to edge
through quarantine, which takes years, this stubborn baby was here all along.
James Busby introduced it in Sydney Town 1832, when it was called White
hermitage.
To this day, it produces about a third of all Italy's white, perhaps
emerging in its finest form in Soave, where it's blended with Garganega, which
seems to be its grandfather if DNA is not fake news.
In this Torzi-Matthews Vigna Cantina form, it's best to think Italian.
Antipasto is obvious, but I'd also be thinking of a mighty mussel broth with
real crunchy bread and whackings of Paris Creek butter, then a pecorino pepato
to finish the bottle.
Wolf Blass used Trebbiano to great effect in his Classic Dry White, his
determined effort to prove that Chardonnay was largely bullshit. When I tasted all
Wolf's whites released to date with him in September 1982, he announced
"What is happening with Chardonnay in this country is paralleled only by
the stupidity of the red wine manufacturing in the late 'sixties.
"I think the Chardonnay belongs in Champagne," he continued.
"There's very few companies who can make good Chardonnay. Those should specialise. But at the moment every company, in every region and in every state, is trying to bring a Chardonnay out ... in a couple of years Chardonnay is just a joke ... "
"There's very few companies who can make good Chardonnay. Those should specialise. But at the moment every company, in every region and in every state, is trying to bring a Chardonnay out ... in a couple of years Chardonnay is just a joke ... "
And then, to twist his dagger in the gizzards of the worst wine wankers
of the day, he finished "If Chardonnay of sufficient quantity and quality
becomes available, we may replace the Tokay in the Classic Dry White with
it."
The Classic Dry White blending varied from year-to-year, depending on
the available fruit and the paramount assemblage skills of Wolfie and his genius
off-sider, John "The Ferret" Glaetzer. From its launch in 1974, it
variously contained Sauvignon blanc, Riesling, Tokay (Muscadelle), Crouchen, Colombard
and Sylvaner. Every release from that to the '82 won gold medals. But on that
day, of the older wines, like pre-'81, the 1975 model was easily the best, for
what I called "its fresh, youthful fruit and remarkable balance."
That one was unique because it was not a blend. It was 100% Trebbiano.
And I suspect it came from the same 100+ year-old vineyard as this wine,
in the æolian sands at the north of Koonunga. Which is not too far from that
vast glittering refinery now called Wolf Blass Bilyara.
Trying in vain to
retire: me with the 80-year-old Wolfie and The Ferret at Doug Lehmann's wake in
2014 ... photo©Johnny
'Guitar' Preece
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