“Sod the wine, I want to suck on the writing. This man White is an instinctive writer, bloody rare to find one who actually pulls it off, as in still gets a meaning across with concision. Sharp arbitrage of speed and risk, closest thing I can think of to Cicero’s ‘motus continuum animi.’

Probably takes a drink or two to connect like that: he literally paints his senses on the page.”


DBC Pierre (Vernon God Little, Ludmila’s Broken English, Lights Out In Wonderland ... Winner: Booker prize; Whitbread prize; Bollinger Wodehouse Everyman prize; James Joyce Award from the Literary & Historical Society of University College Dublin)


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25 September 2014

SUSTAINABILITY IS NOT STATIC


Greg Trott ... photo by Philip White


WFA fumbles big green issue:
the strange ethics of verdancy
in ongoing battle of huge vs tiny
by PHILIP WHITE - this was first published on InDaily 0n 16 September
 

Greg Trott, the late founder of Wirra Wirra, started what became the Winemakers’ Federation of Australia (WFA) late in the 1980s

His bit of the history somehow misses a mention on the WFA website. While only a small percentage of Australia’s wineries are members, the very big ones are.

Along with the new Australian Grape and Wine Authority, this body runs the Australian wine business.

In those early days, when there were only a few hundred wineries, the main industry body was the Australian Wine and Brandy Corporation, whose budget came half from the taxpayer and half from its members, whose voting rights were determined by the total levy paid according to the tonnes they crushed. It was well and truly in the hands of what we then called the PLO – Penfolds, Lindemans and Orlando, the biggest wine companies in Australia.



But there was an exciting new thing called “boutique” wineries: emergent premium little guys whose direction and interests were vastly different to what the ponderous, prehistoric PLO needed.

It’s like Ford, GMH and Toyota charging a fee to represent the interests of the corner lawnmower service centre.

Trott called a meeting of small producers, and about 150 travelled from the far ends of the country to McLaren Vale. He invited the cocky young star of the boutique set, Petaluma’s MD Brian Croser, to chair the meeting.

While many thought the fair cut-off point for “small” wineries was about 400 tonnes per annum, others felt that 100 tonnes was a better delineator. One bloke argued for fifty.

As chair, in his brusque head-prefect manner, Croser immediately insisted that unless middle-sized companies like Yalumba were admitted, the organisation would have no wallop. In those days, he was busy selling his special yeast, R2, to Riesling makers, along with advice on how to best use the tricky beast. He naturally wanted business, and, like ordinary businessmen, wanted it to be bigger.

Conversely, an awkwardly-sized outfit like Yalumba would look much prettier in the market if it seemed closer in style to the new boutiques than to the leviathan plonkmongers. 

From memory, I think we left that meeting having decided to form the Small Winemakers’ Association, which was open to any outfit that processed less than 10,000 tonnes annually. Before long, the body was called the Australian Winemakers’ Forum. This was then absorbed into the Federation of Australian Winemaker Associations, along with the Australian Wine & Brandy Producers’ Association and the Wine and Brandy Co-operative Producers’ Association. In 1990, this became the WFA – the Woofer – and the little guys who started it could only stand back and wonder. 

From that day on, most of its presidents have been representatives of the PLO, associates of Croser or, in fact, Croser himself. Twice.

Most recently, its chair is Tony D’Aloisio, owner of the posh Oakridge Winery in the Yarra Valley and former chair of the Australian Securities and Investments Commission (ASIC), which, according to its website, “contributes to Australia’s economic reputation and well-being by ensuring that Australia’s financial markets are fair and transparent”. 

On its website, the WFA says its mission is “to lead a united and diverse Australian winemaking industry”, and its goal is “to support Australian winemakers to achieve sustainable and globally benchmarked profitability through evidence-based policy and advocacy”.

I dunno who made that up. But if you want to see something sustainable, and proven to be so by peers and tough independent auditing, you should look at the McLaren Vale SustainableWinegrowing Program.

The marriage of Dr Irina Santiago, designer of the McLaren Vale Sustainable Winegrowing Program and Inkwell Wines' Dudley Brown, former chairman of McLaren Vale Grape Wine and Tourism Association ... photo Philip White
 
This is largely the work of Dr Irina Santiago-Brown, the local sustainability officer. Irina is internationally respected for this system. She has had every chapter of the latest guide peer-approved by international experts in the relative fields.

“It’s one of the great stories of world wine,” says Anthony Madigan, editor of WBM – Australia’s Wine Business Magazine

“The community built it from the ground up. About 120 growers representing 50 per cent of the vineyard area support it. In 2013, 40 percent of all McLaren Vale Shiraz sold for $3000 a tonne or more.” 

Many Shiraz growers in less-refined regions can expect to cross a zero off that price. The McLaren Vale system is exemplary in Australia, and an irritant to the big brutes who depend on over-supply to keep prices down and punters brimming.

“A key to McLaren Vale’s program is continued improvement. It’s part of what makes it world class,”  Madigan (below) said.


To boast a trendy verdancy, the WFA has its own green lawbook and environmental assurance program, called Entwine. Scared to be seen ungreen, some of the biggest Australian companies buy fruit only from this; it has around 700 licensed growers.

In recent years, Australia usually seems to have between 6000 and 7000 growers.

Perhaps because McLaren Vale has out-greened it, the WFA refused to recognise the proven Vales system, holding it at bay for five telling years. Finally, after exasperated lobbying from the Vales, and diligent questioning from the likes of Madigan, the WFA hired an independent auditor, Aus-Qual – a subsidiary of Aus-Meat Ltd – to carry out a forensic independent study of both the WFA and Vales systems.

In a rather last-minute flurry, Paul Evans, WFA CEO, advised the twitchy Vales people on Friday that his federation’s board “has today approved the McLaren Vale Grape, Wine and Tourism Association Level 2 Program, which means its members meet national assurance standards and qualify for Entwine full membership”. 

“Having an Entwine membership can be important in business dealings with retailers, restaurants and consumers around the world … Such accreditation recognises their environmental practices and can also be an important plank in their business endeavours as well as in the region’s marketing, both at home in Australia and overseas.” 

Well, really. As if they didn’t know. They’d been the marginalised victim for years, and now they were getting a talking-to. 

The main reason I live in McLaren Vale is that it clearly leads Australia in green vineyard and winery management, environmental awareness and general community feeling of ecological responsibility. It is, in essence, the opposite of the broken Murray-Darling system, from which those big guys make about half the wine in Australia as goonbag squirt, and entire communities are facing the wall as prices continue to plummet through sickening to beyond.

It was the hired independent auditor which finally forced the WFA’s hand. This must have been embarrassing. But the covering letter the WFA mob sent to the Vales, purporting to come from Aus-Qual, that very auditor, had no letterhead and seemed suss to Dr Santiago-Brown. 

“McLaren Vale’s bullshit radar works,” Madigan immediately commented in WBM’s email bulletin, The Week That Was. “They phoned Aus-Qual, which confirmed a paragraph was deleted by WFA without its knowledge. A key to McLaren Vale’s program is continued improvement. It’s part of what makes it world class.” 

The trashed paragraph must have really given the WFA the shits. Its own hired auditor derided its program, saying its “compliance is based on prescribed criteria and once achieved may not present an opportunity for continued improvement”. 

On the other hand, “the McLaren Vale Sustainable Winegrowing Australia Program Version 4, while also having certification requirements, is annually assessed for specific criteria for the McLaren Vale region and where necessary amended to ensure continued improvement”. 

So there. When Madigan finally got D’Aloisio on the phone to ask when the investigation would start into the doctoring of independent audit papers of great importance, the chairman said: “I will look at it – just so you know, I’m on my way to the airport.” 

CEO Evans then issued an apologetic statement, admitting the independent auditor’s letter had been doctored.

"The paragraph in question was removed because it was deemed inappropriate and a subjective opinion that did not reflect what both organisations were looking for in the assessment, that is, an independent and rigorous review of both programs based on solid evidence,” he wrote.




and furthermore

In an exclusive statement made to Winetitles journalists Sonya Logan and Nathan Gogoll on September 19th, Evans insisted there were two unrelated issues. He claimed the doctored letter and the slow accreditation were not linked. 

“For programs like McLaren Vale’s, the approval process is overseen by WINEC [Wine Industry National Environment Committee] which makes recommendations to the board. The McLaren Vale application has been knocked back, for various technical reasons, well before my time and before the time of the current WINEC chair. It has been ongoing for four-or-five years, but we have found a way for accreditation through changes made to the McLaren Vale program – this is a good outcome for all involved.”

Which fails to answer exactly why the application was delayed for so long.

As to suggestions that the WFA was not fairly representative of the whole wine industry, Evans told Winetitles “It is not right and there’s no evidence.

“Our constitution is arranged so no member has a right of veto over any issue and all sectors of the industry are represented through our committees.”

In response to this, one wonders just what percentage of Australia's winemakers actually support the WFA with membership. If it's true that only several hundred of the 2,600+ wineries Winetitles lists (using WFA figures) are actually in the outfit, that's hardly representative.

If the claim of Robyn Lewis of Visit Vineyards is accurate, the situation's worse. In her note on the bottom of one of Dudley Brown's articles on The Wine Rules, this experienced wine operator claims "In our VisitVineyards.com database we currently have around 5000 wine producers selling branded wines (ie under their own labels - this excludes the 600 grape growers, plus the 150 or so supermarket labels)."

Responding to Brown's claim that industry bodies are “wildly out of touch with the weird long tail of the new world of wine,” Lewis wrote "This is a massive 60% more than the industry appears to know exists and a very long tail indeed. We’re still adding new producers and recording closures, but our records show a net gain in 2014 to date."

The WFA could very easily put an end to such speculation by listing its paying members on its website. That'd be the evidence, Mr. Evans. It'll be good to add that to your investigator's findings on exactly why the McLaren Vale schedule was denied approval for five years.






24 September 2014

PHYLLOXERA SCARE CLARIFIED

CLARIFICATION: ... for awhile this morning it seemed that in his clean-up of government-appointed boards, South Australian Premier Jay Weatherill had axed the controversial Phylloxera Board.

This is most certainly NOT the case.

On Monday 22, his office made this statement:

Boards and committees review says 105 should go

A new report proposes 105 State Government boards and committees should be abolished, with a further 194 to be reformed, merged or reclassified.

Releasing the results of the whole-of-Government audit today, Premier Jay Weatherill said the process is aimed at improving the community’s access to Government decision makers and reducing red tape.

“This is about finding new ways of Government’s being informed on policy issues, as too often this advice is confined to a select group of people,” Mr Weatherill said.

“I am interested in finding new and innovative ways to develop this advice, ensuring it flows more directly from citizens and businesses alike.

“While some boards, such as the Economic Development Board and the Defence SA will be retained, it is clear that many others no longer have relevance or they should be replaced.

“Some boards will be merged to remove duplication and others will be subject to reform, for example those recommended by the Expert Panel on Planning Reform.”

The report recommends that of the 429 State Government boards and committees:

· 105 be abolished
· 72 be retained in their present form
· 18 be merged
· 59 be reformed
· 117 be reclassified
· 58 be subject to further investigation before a final decision is made

Boards that are subject to reclassification will still function but will no longer be considered Government boards.

Mr Weatherill said that it is presently difficult to quantify the savings that would be made from the reform.

“The reforms will assist agencies meet their savings targets and there will be some instances where resources are reinvested,” Mr Weatherill said.

The interim report will help to inform the drafting of legislation that will remove the legal requirements for the existence of particular boards and committees.

The reform will continue over the coming weeks before a final report and subsequent legislation will be finalised later this year.

... DOCUMENT ENDS





This morning, in response to Premier Weatherill's press secretary's tweet promoting the boards purge, I asked what will happen to the Phylloxera Board.

"abolished to be replaced by direct sector engagement," came the secretary's response at 1105.



This was quickly contradicted by the Premier whose tweet said "stays."

When I asked about this confusion, Weatherill tweeted (1228) "board stays selection committee goes sorry about confusion."

And the secretary followed up with "apologies - theres also a phylloxera and grape industry board of SA selection committee which has been abolished."

DRINKSTER awaits government's intelligence on precisely who will select the next board.

"Will check" was Premier Weatherill's last tweet, responding to my query about whether the selectors or the board would include vested-interest people who sell phylloxera-resistant rootstocks and stand to do very big business indeed when phylloxera spreads. 

If his direct personal response to questions like these stays as open and brisk, then Premier Weatherill's pulled a perfect coup, removing all those layers of obfuscation and pettifoggery.

Not that phylloxera's a petty thing.

Or pretty.

So, from whence comes the board?

Looking, looking!

 

STOP PRESS:  TWITTER: South Australia's Premier Weatherill's  press office says new Phylloxera Board likely to be selected by the chief executive officer of the Department of Primary Industries and Resources. 

"

"Likely to be CE of PIRSA to ensure arms length from vested interest groups"

Arm's length? That's the width of the CEO's desk. 

The arm is longer than the tongue.



Phylloxera in the Mitchelton Vineyard in the Goulburn Valley, Victoria, above. 

Read Matthew VII v 16

Now owned by Gerry and Andrew Ryan, this outfit was absorbed by Brian Croser's Petaluma from 1994 to 2001. Colin Ryan was an accountant on Petaluma's board. Croser was chair of the Winemakers Federation of Australia (WFA) from 1991-93. After Croser  bought Mitchelton from Stephen Shelmerdine AM in 94, Shelmerdine became WFA chair. Croser then followed him back in again for 1997-99. Croser is now quietly le grande fromage at the Australian Grape and Wine Authority (AGWA).

AGWA is what became of the perfectly named Wine Australia when a few long-term schemers used Queensland bean-counting Senator Bananaby Joice to crash it into the major Australia grape-growers' representative body.

Lots and lots of taxpayers' money.

One of this new outfit's roles is "to advance the objects of the Act by helping to ensure the truth, and the reputation for truthfulness, of statements made on wine labels, or made for commercial purposes in other ways, about the vintage, variety or geographical indication of wine manufactured in Australia."

I wrote about this in 2010. I feel sure that somehow one of these great brains will have a quiet lunch somewhere with the CEO of PIRSA, non?



YO A BEWDY WILLIAMS

Get in here to buy Lucinda Williams' new work. This is an important recorded work. Like a very seriously good important work that will become more famous as we all die of too much or too little. Work. It's a seriously good piece of work. I keep thinking Danny Whitten might walk in but that'd be really silly. Lucinda put up a fight tonight, playin me this without anybody walking in. Tonight's the night ... photo by Michael Wilson

 

22 September 2014

PINOT FROM OAKRIDGE AND KOOYONG


Is Pinot really like Riesling?
Something about staunch acid
with cherries and plums on top 
by PHILIP WHITE

Just another shard of critical evidence in your correspondent's insanity trial is his firm belief that the best Pinot noir, the red grape of Champagne (where it makes white wine) and Burgundy (where it makes the most sensuous, sensual and confounding reds) is actually more like Riesling than red.

In the sense, like, of staunch bone dry Riesling with dollops of plum, prune or maraschino and/or morello cherries, along with the meagre-to-plush flesh such fruits provide.

Unfairly, the writer compared two of Victoria's leading Pinot makers' most recent releases. 

Unfair, because the Oakridge wines are a year younger than the Kooyong wines. Fair, because both 2012 and 2013 were warmer-than-average, and from these notes we can at least grapple with what Victoria's most popular Pinot regions might produce if things stay warm, as it seems they may.

I mean, if they can't do it, who can?

But through this three day tasting, two things lingered. One, the author's predilection for reds from iron-rich ground was reinforced. 

Two, his suspicion that Pinot with proper cool-to-coldish sources has natural acid that most closely matches that of Riesling from the Clare or Eden Valleys. Which, Tasmania notwithstanding, is as good as dry Riesling gets in Australia, if not on Earth.

Another lovely thing is the reality that the older Australia's best Pinot vineyards grow, and the more intense becomes the knowledge of their makers, the closer we get to Burgundy. Which seemed impossible just thirty years ago.

Of course we'll never get there - we can't because we're not there - but these wines make me think we'll get somewhere close, if a little off to one side. Or the other.

With smug colonial pride.

Fingers crossed about the climate change. 

Oakridge 864 Guerin Block 4 Yarra Valley Pinot Noir 2013  
($75; 13.2% alcohol; screw cap; 93++ points) 

Give it a day of air and you begin to see the true frame of this wine lurch from the murk of the creamy and jello baby fruit you met on first opening. It's picked up a real dusty nose-tickling prickle to put a pointy end on that smoochy morello cherry juiciness, and it no longer seems so simply plump. It's still got the puppy fat when you taste it, but its unflinching acidity and thin dry tannins draw the finish out like taffy. Along with those neat bitter cherries it leaves a nutty flavour: the classic grilled cashews of many Burgundies, both red and white. Which must come from exemplary Burgundian barrels, methinks. It seriously needs a few years. Or real hearty field mushrooms in lots of butter and fresh pepper. Morels would be good with some pork belly, but jeez they're expensive. 

Oakridge Local Vineyard Series Guerin Vineyard Yarra Valley Pinot Noir 2013
($36; 13.5% alcohol; screw cap; 92+ points)

As the money number fairly indicates, this is not quite the wine of the Block 4, although it's from the same general location in grey volcanic dirt at Gladysdale. It has much of the morello of the 4, but in a more smoky atmosphere, pushes a tea-smoked duck hallucination to centre stage in my dribble sector. It's probably a bit more prickly than the other wine, and the aromatic gap between its sinister black tea darkness and almost fleshy cherries is wider and wilder. I love this. It reminds me of the wines shewn me by Jean-Pierre De Smet, decades back when he first blew my mind with the tannic, uncompromising Pinots he made at the Burgundy temple called Domaine De L'Arlot. Compared to the Block 4 this is a more snaky, sinuous thing despite that brittle carbon frame, and it's a more cheeky drink. Once again, it triggers pork yearnings as much as your actual pekin duck. Slender, supple, savoury and bone dry! And now it's giving music: more Coltrane with Monk than with Miles. Phew. 

Oakridge Local Vineyard Series Lusatia Park Vineyard Yarra Valley Pinot Noir 2013
($36; 13.1% alcohol; screw cap; 93+ points)

Red dirt usually means iron. I'm an iron man. In the terroirist sense, of course. Rather than those bitter black cherries of the Guerin site, there are pretty raspberries here, fighting for the topnote with all that acrid summer dust. Lusatia Park's at Woori Yallock, and atop the soil change, this vineyard faces due north, bringing a tad more bare-faced summer sunshine than the Guerin with its easterly twist. Not to belittle it, this one has a touch of the squishy old raspberry fruit gels we lived on from grades 1 to 7. But to taste it, the acids, phenolics and black tea tin tannins are more forward than that simple fruit, leaving a rinsed but entirely unsatisfied feeling of need. Can we squeeze the last cassoulet of the season in here, please Mlle. Châtelaine? I need to consider whether the iron or the aspect has the bigger influence here. I suspect it's the latter. I'll need three bottles. Cancel all appointments. 

Kooyong Haven Mornington Peninsula Pinot Noir 2012 
($75; 13.5% alcohol; screw cap;  93+ points)

The Haven vineyard is sheltered. Shelter's good on a peninsula. In stark contrast to the Yarra wines, this is all poached plums. With maybe a clove or two and a big dollop of fresh whipped cream. Without being overwhelming in any way, it smells rich, plush and gentle. Luxurious. A quilted and buttoned fresh leather armchair. It has a little of the dust of its summer, but that fleshy fruit rules for the first few sniffs, before the ground and wood smells arrive. After that, it's more elegant than I'd expected in the actual drinking bit. Long and lingering, tapered and dry with fine black tannin, it has yet to learn the sensuality it will master in the next few years. Right now, I'd have it with a chook casserole with lots of fresh tarragon and buttery kipflers. 

Kooyong Meres Mornington Peninsula Pinot noir 2012 
($75; 13.5% alcohol; screw cap;  94+++  points) 

Meres is exposed, so these vines have a tougher time than the Haven lads next door. Yields are low; I expect more intensity and less puppyfat. The first sniff does that, but it's more fleshy than I'd expected. Still, a bit like Oakridge's LVS Guerin, not the Block 4, the reach between the flesh and the dry dark tea tannins is wider. But here, given different winemaking techniques and another year's age, those polarities are smoothly assimilating. The wine has better form. She's all locked in, and swelling. She knows exactly where she's going. I'll confuse you by saying there's a whiff of feathers, like some of my favourite reds of Italy's Piedmont, but there, I've said it anyway. It's a bit like getting off the dusty backroad school bus in summer, and plunging into the kitchen for a glass of water, to discover Mum's plucking chooks for dinner. Now try to forget that. No more avian references. In the mouth, the wine is sassy and squirmy and teasing, and more sinewy that I'd expected, even after a few days. It'll dance a very naughty dance indeed in five or six years. If you must do it now, I'd go for a cool Provence bean and pork stew with an artichoke. I think these tannins are among the few red wine types which could handle the tricky grainy dryness of artichoke. This is really lovely wine. 

Kooyong Ferrous Mornington Peninsula Pinot Noir 2012
($75; 13.5% alcohol; screw cap; 95++  points)

Ferrous? Ironman, see. This is right up my alley. The vineyard's riddled with buckshot and grapeshot ironstone. To my hooter, the wine smells like iron in the summer. That tight, slightly threatening hardness of a rusty galvo shed in a drought. But then, in great relief, come the cherries, maraschino and morello, and the raspberry. Holy shit. It's truly  beautiful. If you could magically conjure a crême caramel from those fruits, this'd be it. Once you forget the iron, which most will not notice anyway, this is all fruit and creamy, motherly comforts. It has Riesling-like acidity and very fine-grained chalk-like tannins, but the freshest, most endearing and secure fruits fleshing up those dry bones. Stunning. 



A note on scores: 

Over my week, my average score is in the mid-to-low seventies. If I tasted and noted most of the wine made in Australia, as I did in the horrible olden days, my average would be well below seventy; perhaps sub-sixty.

Once I get above ninety, things compress. It usually takes three or four dozen new releases to get anything above ninety. 94 is a rarity, but there's a glut of our best wines between that and 85. 

The nether regions above are speckled with the odd La Tache or Krug. I have never awarded any wine more than 98.  

Plus signs vaguely indicate wines which would score more if drunk when they grow up.

However gentle and supportive I get, my wine appraisal protocols result in a neat match to Keith Richards' evaluation of music. 

97% bad. Three good.