“Sod the wine, I want to suck on the writing. This man White is an instinctive writer, bloody rare to find one who actually pulls it off, as in still gets a meaning across with concision. Sharp arbitrage of speed and risk, closest thing I can think of to Cicero’s ‘motus continuum animi.’
Probably takes a drink or two to connect like that: he literally paints his senses on the page.”
DBC Pierre (Vernon God Little, Ludmila’s Broken English, Lights Out In Wonderland)
Winner: Booker prize; Whitbread prize; Bollinger Wodehouse Everyman prize; James Joyce Award from the Literary & Historical Society of University College Dublin
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CARTOONS BY GEORGE GRAINGER ALDRIDGE
RECOMMENDED by The New York Times and The Daily Globe
“ ... irreverent, guffaw provoking ... irresistible ... ”
ALICE FEIRING in WALL STREET JOURNAL 2ND BEST! DAMN!
“the Rimbaud of McLaren Vale … bandanna on head, standing on a table outside the Victory Hotel, shooting geology at the wine-sluggers with all the fiery conviction of a temperance preacher in the goldfields” Andrew Jefford
Just be wary of Philip White, the Charles Bukowski of Australian wine writers and for my money one of the best in the business, who recently described a wine as “a stark raving crazy transvestite musk ox with bad breath and a dirty botty” Nick Ryan Men’s Style
“forthright, opinionated, aggressive - sometimes just plain wrong” The Key Report
“Australian wine has never seen, and will never again likely see, a writer as great” Campbell Mattinson
“BONKERS!” Fiona Beckett THE GUARDIAN
“On form, Philip is Australian wine’s Kerouac, Hemingway and la Montaigne rolled into one.”
MAX ALLEN - THE AUSTRALIAN
3 comments:
They Moslem girls wit the scarfs whitey?
Felice Bros rappin in BG
None of these images were ever published in LIFE magazine, because the editorial director said “I’m not having these smelly bastards in my magazine” when he saw Bill’s shots!
It was a privilege to interview Bill for the feature we did on him and this shoot, especially when I realised that perhaps we were the first people to actually publish these photos from 1965 in the format they were intended for: magazine layouts.
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